A. From the Diner Map A. D. 1500.
Fig. B. From Map by Ludovico Ughi A.D. 1729 Scale 1 to 2500.
Fig. C. From Recent Map. Scale 1 to 1315.]
Other remains of Byzantine sculpture, which are probably fragments of the
decoration of the same mansion, are found imbedded in the walls of
neighbouring houses.[6] It is impossible to determine anything further as
to the form or extent of the house of the time of the Polos, but some
slight idea of its appearance about the year 1500 may be seen in the
extract (fig. A) which we give from the famous pictorial map of Venice
attributed erroneously to Albert Duerer. The state of the buildings in the
last century is shown in (fig. B) an extract from the fine Map of Ughi;
and their present condition in one (fig. C) reduced from the Modern
Official Map of the Municipality.
[Coming from the Church of S. G. Grisostomo to enter the calle del Teatro
on the left and the passage (Sottoportico) leading to the Corte del
Milione, one has in front of him a building with a door of the epoch of
the Renaissance; it was the office of the provveditori of silk; on the
architrave are engraved the words:
PROVISORES SERICI
and below, above the door, is the Tablet which] in the year 1827 the Abate
Zenier caused to be put up with this inscription: -
AEDES PROXIMA THALIAE CVLTVI MODO ADDICTA
MARCI POLO P. V. ITINERVM FAMA PRAECLARI
JAM HABITATIO FVIT.
[Illustration: Entrance to the Corte del Milione Venice]
[Sidenote: Recent corroboration as to the traditional site of the Casa
Polo.]
24a. I believe that of late years some doubts have been thrown on the
tradition of the site indicated as that of the Casa Polo, though I am not
aware of the grounds of such doubts. But a document recently discovered at
Venice by Comm. Barozzi, one of a series relating to the testamentary
estate of Marco Polo, goes far to confirm the tradition. This is the copy
of a technical definition of two pieces of house property adjoining the
property of Marco Polo and his brother Stephen, which were sold to Marco
Polo by his wife Donata[7] in June 1321. Though the definition is not
decisive, from the rarity of topographical references and absence of
points of the compass, the description of Donata's tenements as standing
on the Rio (presumably that of S. Giovanni Grisostomo) on one side,
opening by certain porticoes and stairs on the other to the Court and
common alley leading to the Church of S. Giovanni Grisostomo, and abutting
in two places on the Ca' Polo, the property of her husband and Stefano,
will apply perfectly to a building occupying the western portion of the
area on which now stands the Theatre, and perhaps forming the western side
of a Court of which Casa Polo formed the other three sides.[8]