The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































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[Sidenote: Crew of a Galley and Staff of a Fleet.]

29. We have already mentioned that Sanudo requires for his - Page 106
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[Sidenote: Crew Of A Galley And Staff Of A Fleet.]

29. We have already mentioned that Sanudo requires for his three-banked galley a ship's company of 250 men.

They are distributed as follows: -

Comito or Master 1 Quartermasters 8 Carpenters 2 Caulkers 2 In charge of stores and arms 4 Orderlies 2 Cook 1 Arblasteers 50 Rowers 180 - - - 250 [22]

This does not include the Sopracomito, or Gentleman-Commander, who was expected to be valens homo et probus, a soldier and a gentleman, fit to be consulted on occasion by the captain-general. In the Venetian fleet he was generally a noble.[23]

The aggregate pay of such a crew, not including the sopracomito, amounted monthly to 60 lire de' grossi, or 600 florins, equivalent to 280l. at modern gold value; and the cost for a year to nearly 3160l., exclusive of the victualling of the vessel and the pay of the gentleman-commander. The build or purchase of a galley complete is estimated by the same author at 15,000 florins, or 7012l.

We see that war cost a good deal in money even then.

Besides the ship's own complement Sanudo gives an estimate for the general staff of a fleet of 60 galleys. This consists of a captain-general, two (vice) admirals, and the following: -

6 Probi homines, or gentlemen of character, forming a council to the Captain-General; 4 Commissaries of Stores; 2 Commissaries over the Arms; 3 Physicians; 3 Surgeons; 5 Master Engineers and Carpenters; 15 Master Smiths; 12 Master Fletchers; 5 Cuirass men and Helmet-makers; 15 Oar-makers and Shaft-makers; 10 Stone cutters for stone shot; 10 Master Arblast-makers; 20 Musicians; 20 Orderlies, &c.

[Sidenote: Music; and other particulars.]

30. The musicians formed an important part of the equipment. Sanudo says that in going into action every vessel should make the greatest possible display of colours; gonfalons and broad banners should float from stem to stern, and gay pennons all along the bulwarks; whilst it was impossible to have too much of noisy music, of pipes, trumpets, kettle-drums, and what not, to put heart into the crew and strike fear into the enemy.[24]

So Joinville, in a glorious passage, describes the galley of his kinsman, the Count of Jaffa, at the landing of St. Lewis in Egypt: -

"That galley made the most gallant figure of them all, for it was painted all over, above water and below, with scutcheons of the count's arms, the field of which was or with a cross patee gules.[25] He had a good 300 rowers in his galley, and every man of them had a target blazoned with his arms in beaten gold. And, as they came on, the galley looked to be some flying creature, with such spirit did the rowers spin it along; - or rather, with the rustle of its flags, and the roar of its nacaires and drums and Saracen horns, you might have taken it for a rushing bolt of heaven."[26]

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