The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































 -  (See Dozy et Engelmann, Glos. des Mots
Espagnols, etc., 2nd ed., 1867, p. 73; and Boerio, Diz. del. Dial.
Venez - Page 580
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(See Dozy Et Engelmann, Glos.

Des Mots Espagnols, etc., 2nd ed., 1867, p. 73; and Boerio, Diz.

Del. Dial. Venez.)

[F. Godefroy, Dict., s.v. Vernigal, writes: "Coupe sans anse, vernie ou laquee d'or," and quotes, besides Marco Polo, the Regle du Temple, p. 214, ed. Soc. Hist. de France:

"Les vernigaus et les escuelles."

About vernegal, cf. Rockhill, Rubruck, p. 86, note. Rubruck says (Soc. de Geog. p. 241): "Implevimus unum veringal de biscocto et platellum unum de pomis et aliis fructibus." Mr. Rockhill translates veringal by basket.

Dr. Bretschneider (Peking, 28) mentions "a large jar made of wood and varnished, the inside lined with silver," and he adds in a note "perhaps this statement may serve to explain Marco Polo's verniques or vaselle vernicate d'oro, big enough to hold drink for eight or ten persons." - H. C.]

A few lines above we have "of the capacity of a firkin." The word is bigoncio, which is explained in the Vocab. Univ. Ital. as a kind of tub used in the vintage, and containing 3 mine, each of half a stajo. This seems to point to the Tuscan mina, or half stajo, which is = 1/3 of a bushel. Hence the bigoncio would = a bushel, or, in old liquid measure, about a firkin.

NOTE 3. - A buffet, with flagons of liquor and goblets, was an essential feature in the public halls or tents of the Mongols and other Asiatic races of kindred manners. The ambassadors of the Emperor Justin relate that in the middle of the pavilion of Dizabulus, the Khan of the Turks, there were set out drinking-vessels, and flagons and great jars, all of gold; corresponding to the coupes (or hanas a mances), the verniques, and the grant peitere and petietes peiteres of Polo's account. Rubruquis describes in Batu Khan's tent a buffet near the entrance, where Kumiz was set forth, with great goblets of gold and silver, etc., and the like at the tent of the Great Kaan. At a festival at the court of Oljaitu, we are told, "Before the throne stood golden buffets ... set out with full flagons and goblets." Even in the private huts of the Mongols there was a buffet of a humbler kind exhibiting a skin of Kumiz, with other kinds of drink, and cups standing ready; and in a later age at the banquets of Shah Abbas we find the great buffet in a slightly different form, and the golden flagon still set to every two persons, though it no longer contained the liquor, which was handed round. (Cathay, clxiv., cci.; Rubr. 224, 268, 305; Ilch. II. 183; Della Valle, I. 654 and 750-751.)

[Referring to the "large and very beautiful piece of workmanship," Mr. Rockhill, Rubruck, 208-209, writes: "Similar works of art and mechanical contrivances were often seen in Eastern courts. The earliest I know of is the golden plane-tree and grape vine with bunches of grapes in precious stones, which was given to Darius by Pythius the Lydian, and which shaded the king's couch.

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