You linger
a moment outside just such a tavern as a certain ragged poet of
parts might have frequented the while he penned his versified
inquiry which after all these centuries is not yet satisfactorily
answered, touching on the approximate whereabouts of the snows
that fell yesteryear and the roses that bloomed yesterweek.
Midway of a winding alley you come to an ancient wall and an ancient
gate crowned with the half-effaced quarterings of an ancient house,
and you halt, almost expecting that the rusted hinges will creak
a warning and the wooden halves begrudgingly divide, and that from
under the slewed arch will issue a most gallant swashbuckler with
his buckles all buckled and his swash swashing; hence the name.
At this juncture you feel a touch on your shoulder. You spin on
your heel, feeling at your hip for an imaginary sword. But 'tis
not Master Francois Villon, in tattered doublet, with a sonnet.
Nor yet is it a jaunty blade, in silken cloak, with a challenge.
It is your friend of the obscene photograph collection. He has
followed you all the way from 1914 clear back into the Middle Ages,
biding his time and hoping you will change your mind about investing
in his nasty wares.
