And Such To The Present Day Is The Mosque Of Al-Islam.
Even the Riwak or porches surrounding the area in the Mosque are
revivals of older forms.
"The range of square buildings which enclose
the temple of Serapis are not, properly speaking, parts of the fane,
but apartments of the priests, places for victims, and sacred utensils,
and chapels dedicated to subordinate deities, introduced by a more
complicated and corrupt worship, and probably unknown to the founders
of the original edifice." The cloisters in the Mosque became cells,
used as lecture rooms, and stores for books bequeathed to the college.
They are unequal, because some are required to be of larger, others to
be of smaller, dimensions. The same reason causes difference of size
when the building is distributed into four hyposteles opening upon the
area: the porch in the direction of the Ka'abah, where worshippers
mostly congregate, demands greater depth than the other three. The
wings were not unfrequently made unequal, either from want of building
materials, or because the same extent of accommodation was not required
in both. The columns were of different substances; some of handsome
marble, others of rough stone meanly plastered over, with dissimilar
capitals, vulgarly cut shafts of various sizes; here with a pediment,
there without, now turned upside down, then joined together by halves
in the centre, and almost invariably nescient of intercolumnar rule.
This is the result of Byzantine syncretism, carelessly and ignorantly
grafted upon Arab ideas of the natural and the sublime. Loving and
admiring the great, or rather the big in plan,[FN#4]} they care
[p.94]little for the execution of mere details, and they have not the
acumen to discern the effect which clumsy workmanship, crooked lines,
and visible joints,-parts apparently insignificant,-exercise upon the
whole of an edifice. Their use of colours was a false taste, commonly
displayed by mankind in their religious houses, and statues of the
gods. The Hindus paint their pagodas, inside and outside; and rub
vermilion, in token of honour, over their deities. The Persian Colossi
of Kaiomars and his consort on the Balkh road and the Sphinx of Egypt,
as well as the temples of the Nile, still show traces of artificial
complexion. The fanes in classic Greece have been dyed. In the Forum
Romanum, one of the finest buildings, still bears stains of the Tyrian
purple. And to mention no other instances, in the churches and belfries
of Modern Italy, we see alternate bands of white and black material so
disposed as to give them the appearance of giant zebras. The origin of
"Arabesque" ornament must be referred to one of the principles of
Al-Islam. The Moslem, forbidden by his law to decorate his Mosque with
statuary and pictures,[FN#5] supplied their place with quotations from
the Koran, and inscriptions, "plastic metaphysics," of marvellous
perplexity.
[p.95]His alphabet lent itself to the purpose, and hence probably arose
that almost inconceivable variety of lace-like fretwork, of
incrustations, of Arabesques, and of geometric flowers, in which his
eye delights to lose itself.[FN#6]
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