The Patterns Are Generally White, Yellow, And Green
On A Red Ground.]
[Footnote G:
A natural sweetmeat like nougat, found and manufactured
in Persia.]
[Footnote H: Attendant.]
[Footnote I: In the north of Persia the dead are buried in a shroud
of dark-blue cloth, which is, oddly enough, called in the Persian
language, a _kaffin_.]
CHAPTER VII.
ISPAHAN - SHIRAZ.
The seven telegraph-stations, in charge of Europeans, between Teheran
and Bushire, may be called the oases of Persia to the weary traveller
from Resht to the Persian Gulf. He is sure, at any of these, of a
hearty welcome, a comfortable bedroom, and a well-cooked dinner from
the good Samaritan in charge. The latter is generally the best of
company, full of anecdote and information about the country, and,
necessarily, well posted in the latest news from Europe, from the last
Parliamentary debate to the winner of the Derby. These officials are
usually _ci-devant_ non-commissioned officers of Royal Engineers. Some
are married, for the life is a lonely one, and three or four months
often elapse without personal communication with the outer world,
except on the wires. By this means, when the latter are not in
public use, the telegraphist can lighten his weary hours by animated
conversation with his colleague two or three hundred miles away on
congenial topics - the state of the weather, rate of exchange, chances
of promotion, and so on. Living, moreover, at most of the stations is
good and cheap; there is plenty of sport; and if a young unmarried man
only keeps clear of the attractions of the fair sex, he soon makes
friends among the natives. Love intrigues are dangerous in Persia.
They once led to the massacre of the whole of the Russian Legation at
Teheran.
Ispahan is a city of ruins. A Persian will tell you, with pride, that
it is nearly fifteen miles in circumference, but a third of this
consists of heaps of stones, with merely the foundation-lines around
to show that they were once palaces or more modest habitations.
Chardin the traveller, writing in A.D. 1667, gives the population of
Ispahan at considerably over a million, but it does not now exceed
fifty thousand, including the suburb of Djulfa. The Madrassa, or
College, the governor's palace, and "Chil Situn," or "Palace of the
Forty Pillars," are the only buildings that still retain some traces
of their former glory. Pertaining to the former is a dome of the most
exquisite tile-work, which, partly broken away, discloses the mud
underneath; a pair of massive gates of solid silver, beautifully
carved and embossed; a large shady and well-kept garden in the centre
of the Madrassa, with huge marble tanks of water, surrounded by an
oblong arcade of students' rooms - sixty queer little boxes about ten
feet by six, their walls covered with arabesques of great beauty.
These are still to be seen - and remembered. With the exception of the
"Maidan Shah," or "Square of the King" - a large open space in the
centre of the city, surrounded by modern two-storied houses - the
streets of Ispahan are narrow, dirty, and ill-paved, and its bazaar,
which adjoins the Maidan Shah, very inferior in every way to those of
Teheran or Shiraz.
The palace of "Chil Situn," or "The Forty Pillars," is like most
Persian palaces - the same walled gardens with straight walks, the
usual avenues of cypress trees, and the inevitable tank of stone or
marble in the centre of the grounds. It is owing to the reflection of
the _facade_ of the palace in one of the latter that it has gained its
name. There are in reality but twenty pillars, the forty being (with a
stretch of imagination) made up by reflection in the dull and somewhat
dirty pool of water at their feet. The palace itself is a tawdry,
gimcrack-looking edifice, all looking-glass and vermilion and green
paint in the worst possible taste. From the entrance-hall an arched
doorway leads into the principal apartment, a lofty chamber about
ninety feet long by fifty broad, its walls covered with large
paintings representing the acts of the various Persian kings. Shah
Abbas is portrayed under several conditions. In one scene he is
surrounded by a band of drunken companions and dancing-girls, in
costumes and positions that would hardly pass muster before our Lord
Chamberlain. This room once contained the most beautiful and costly
carpet in all Persia, but it has lately been sold "for the good of the
State," and a dirty green drugget laid down in its place. In one of
the side chambers are pictures representing ladies and gentlemen in
the costume of Queen Elizabeth's time. How they got to Ispahan I was
unable to discover. They are very old, and evidently by good masters.
The way back to our comfortable quarters at Djulfa lay over the
Zandarood river. There are five bridges, the principal one being that
of Allaverdi Khan, named after one of the generals of Shah Abbas, who
superintended its construction. It is of solid stonework, and built in
thirty-three arches, over which are ninety-nine smaller arches
above the roadway on both sides, enclosing a covered-in pathway for
foot-passengers. The roadway in the centre, thirty feet wide, is well
paved with stone, and perfectly level. Every thirty yards or so are
stalls for the sale of kababs, fruit, sweetmeats, and the kalyan, for
a whiff from which passers-by pay a small sum. Ispahan is noted for
its fruit; apricots, peaches, nectarines, cherries, mulberries, and
particularly fine melons, are abundant in their season.
There is a saying in Persia, "Shiraz for wine, Yezd for women, but
Ispahan for melons."
Since it has ceased to be the capital of Persia, the trade of Ispahan
has sadly deteriorated. There is still, however, a brisk trade
in opium and tobacco. Silks and satins are also made, as well as
quantities of a coarser kind of cotton stuff for wearing-apparel,
much used by the natives.
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