It Is Always Beautiful, Especially At Evening, When The People Are Sauntering Along The Walks, And The Moon Is Shining On The Waters Of The Bay And The Hills And Twinkling White Houses Of The Opposite Shore.

Then the place becomes quite romantic:

It is too dark to see the dust on the dried leaves; the cannon-balls do not intrude too much, but have subsided into the shade; the awkward squads are in bed; even the loungers are gone, the fan-flirting Spanish ladies, the sallow black-eyed children, and the trim white-jacketed dandies. A fife is heard from some craft at roost on the quiet waters somewhere; or a faint cheer from yonder black steamer at the Mole, which is about to set out on some night expedition. You forget that the town is at all like Wapping, and deliver yourself up entirely to romance; the sentries look noble pacing there, silent in the moonlight, and Sandy's voice is quite musical as he challenges with a "Who goes there?"

"All's Well" is very pleasant when sung decently in tune, and inspires noble and poetic ideas of duty, courage, and danger: but when you hear it shouted all the night through, accompanied by a clapping of muskets in a time of profound peace, the sentinel's cry becomes no more romantic to the hearer than it is to the sandy Connaught-man or the bare-legged Highlander who delivers it. It is best to read about wars comfortably in Harry Lorrequer or Scott's novels, in which knights shout their war-cries, and jovial Irish bayoneteers hurrah, without depriving you of any blessed rest.

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