Essays Of Travel, By Robert Louis Stevenson


































































































 -   It is a golden maxim to cultivate
the garden for the nose, and the eyes will take care of themselves - Page 113
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It Is A Golden Maxim To Cultivate The Garden For The Nose, And The Eyes Will Take Care Of Themselves. Nor Must The Ear Be Forgotten:

Without birds a garden is a prison- yard.

There is a garden near Marseilles on a steep hill-side, walking by which, upon a sunny morning, your ear will suddenly be ravished with a burst of small and very cheerful singing: some score of cages being set out there to sun their occupants. This is a heavenly surprise to any passer-by; but the price paid, to keep so many ardent and winged creatures from their liberty, will make the luxury too dear for any thoughtful pleasure-lover. There is only one sort of bird that I can tolerate caged, though even then I think it hard, and that is what is called in France the Bec- d'Argent. I once had two of these pigmies in captivity; and in the quiet, hire house upon a silent street where I was then living, their song, which was not much louder than a bee's, but airily musical, kept me in a perpetual good humour. I put the cage upon my table when I worked, carried it with me when I went for meals, and kept it by my head at night: the first thing in the morning, these maestrini would pipe up. But these, even if you can pardon their imprisonment, are for the house. In the garden the wild birds must plant a colony, a chorus of the lesser warblers that should be almost deafening, a blackbird in the lilacs, a nightingale down the lane, so that you must stroll to hear it, and yet a little farther, tree-tops populous with rooks.

Your house should not command much outlook; it should be set deep and green, though upon rising ground, or, if possible, crowning a knoll, for the sake of drainage. Yet it must be open to the east, or you will miss the sunrise; sunset occurring so much later, you can go up a few steps and look the other way. A house of more than two stories is a mere barrack; indeed the ideal is of one story, raised upon cellars. If the rooms are large, the house may be small: a single room, lofty, spacious, and lightsome, is more palatial than a castleful of cabinets and cupboards. Yet size in a house, and some extent and intricacy of corridor, is certainly delightful to the flesh. The reception room should be, if possible, a place of many recesses, which are 'petty retiring places for conference'; but it must have one long wall with a divan: for a day spent upon a divan, among a world of cushions, is as full of diversion as to travel. The eating-room, in the French mode, should be ad hoc: unfurnished, but with a buffet, the table, necessary chairs, one or two of Canaletto's etchings, and a tile fire-place for the winter. In neither of these public places should there be anything beyond a shelf or two of books; but the passages may be one library from end to end, and the stair, if there be one, lined with volumes in old leather, very brightly carpeted, and leading half-way up, and by way of landing, to a windowed recess with a fire-place; this window, almost alone in the house, should command a handsome prospect.

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