The Persons I Have Mentioned Have Not That Vagueness Of Identity Which Is The Misfortune Of His- Torical Characters; They

Are real, supremely real, thanks to their affiliation to the great Balzac, who had invented an artificial reality which was

As much better than the vulgar article as mock-turtle soup is than the liquid it emulates. The first time I read "Les Illusions Perdues" I should have refused to believe that I was capable of passing the old capital of Anjou without alighting to visit the Houmeau. But we never know what we are capable of till we are tested, as I reflected when I found myself looking back at Angouleme from the window of the train, just after we had emerged from the long tunnel that passes under the town. This tunnel perforates the hill on which, like Poitiers, Angouleme rears itself, and which gives it an eleva- tion still greater than that of Poitiers. You may have a tolerable look at the cathedral without leaving the railway-carriage; for it stands just above the tunnel, and is exposed, much foreshortened, to the spectator below. There is evidently a charming walk round the plateau of the town, commanding those pretty views of which Balzac gives an account. But the train whirled me away, and these are my only impressions. The truth is that I had no need, just at that moment, of putting myself into communication with Balzac; for opposite to me in the compartment were a couple of figures almost as vivid as the actors in the "Comedie Humaine." One of these was a very genial and dirty old priest, and the other was a reserved and concen- trated young monk, - the latter (by which I mean a monk of any kind) being a rare sight to-day in France. This young man, indeed, was mitigatedly monastic. He had a big brown frock and cowl, but he had also a shirt and a pair of shoes; he had, instead of a hempen scourge round his waist, a stout leather thong, and he carried with him a very profane little valise. He also read, from beginning to end, the "Figaro" which the old priest, who had done the same, presented to him; and he looked altogether as if, had he not been a monk, he would have made a distinguished officer of engineers. When he was not reading the "Figaro" he was conning his breviary or answering, with rapid precision and with a deferential but dis- couraging dryness, the frequent questions of his com- panion, who was of quite another type. This worthy had a bored, good-natured, unbuttoned, expansive look; was talkative, restless, almost disreputably human. He was surrounded by a great deal of small luggage, and had scattered over the carriage his books, his papers, the fragments of his lunch, and the contents of an extraordinary bag, which he kept beside him - a kind of secular reliquary - and which appeared to contain the odds and ends of a lifetime, as he took from it successively a pair of slippers, an old padlock (which evidently didn't belong to it), an opera-glass, a collection of almanacs, and a large sea-shell, which he very carefully examined.

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