This Is An Exhibition Very Common In All The Mandingo Countries.
The Spectators Arranged Themselves In A Circle, Leaving The Intermediate
Space For The Wrestlers, Who Were Strong Active Young Men, Full Of
Emulation, And Accustomed, I Suppose, From Their Infancy To This Sort Of
Exertion.
Being stripped of their clothing, except a short pair of
drawers, and having their skin anointed with oil, or
_Shea_ butter, the
combatants approached each other on all-fours, parrying with, and
occasionally extending a hand for some time, till at length one of them
sprang forward, and caught his rival by the knee. Great dexterity and
judgment were now displayed; but the contest was decided by superior
strength; and I think that few Europeans would have been able to cope
with the conqueror. It must not be unobserved, that the combatants were
animated by the music of a drum, by which their actions were in some
measure regulated.
The wrestling was succeeded by a dance, in which many performers
assisted, all of whom were provided with little bells, which were
fastened to their legs and arms; and here too the drum regulated their
motions. It was beaten with a crooked stick, which the drummer held in
his right hand, occasionally using his left to deaden the sound, and thus
vary the music. The drum is likewise applied on these occasions to keep
order among the spectators, by imitating the sound of certain Mandingo
sentences: for example, when the wrestling match is about to begin, the
drummer strikes what is understood to signify _ali bae see_, - sit all
down; upon which the spectators immediately seat themselves; and when the
combatants are to begin, he strikes _amuta amuta_, - take hold, take hold.
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