One to put
in his room, one in his stable, and another in his barn. The most
wonderful portion of the business is that these crosses must be
renewed every year, as in that period they lose their divine power.
But let me return to Candy. In a second temple, adjoining that in
which the relic is preserved, are two gigantic hollow statues of the
god Buddha in a sitting posture, and both are said to be formed of
the finest gold. Before these colossi stand whole rows of smaller
Buddhas, of crystal, glass, silver, copper, and other materials. In
the entrance hall, likewise, are several stone statues of different
gods, with other ornaments, most of them roughly and stiffly
executed. In the middle stands a small plain monument of stone,
resembling a bell turned upside down; it is said to cover the grave
of a Brahmin.
On the outer walls of the principal temple are wretched daubs in
fresco, representing the state of eternal punishment. Some of the
figures are being roasted, twitched with red-hot pincers, partly
baked, or forced to swallow fire. Others again, are jammed between
rocks, or having pieces of flesh cut out of their bodies, etc., but
fire appears to play the principal part in these punishments.
The doors of the principal temple are made of metal, and the door
posts of ivory.