A Woman's Journey Round The World, From Vienna To Brazil, Chili, Tahiti, China, Hindostan, Persia, And Asia Minor By Ida Pfeiffer
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These Qualities
Are Generally Ascribed To The Rice Paper On Which They Paint, And
Which Is Of The Greatest Possible Fineness, And As White As Milk.
The paintings upon linen and ivory differ very little, as far as the
colouring is concerned, from those of
Our European artists, and the
difference is therefore the more visible in their composition, and
perspective, which, with the Chinese, are yet in a state of infancy.
This is more especially true of perspective. The figures and
objects in the back-ground rival in size and brilliancy those in
front, while rivers or seas float in the place which should be
occupied by clouds. On the other hand, the native artists can copy
admirably, {101} and even take likenesses. I saw some portraits so
strikingly well drawn, and admirably coloured, that first-rate
European artists need not have been ashamed to own them.
The Chinese possess marvellous skill in carving ivory,
tortoiseshell, and wood. Among the superior black lacquered
articles, especially with flat or raised gold ornaments, I observed
some, which were worthy of a place in the most valuable collections
of objects of vertu. I saw some small work-tables worth at least
600 dollars (120 pounds). The baskets and carpets, made from the
bamboo, are also remarkably beautiful.
They are, however, far behind-hand in gold or silver work, which is
generally heavy and tasteless; but then again, they have attained
great celebrity by their porcelain, which is remarkable not only for
its size, but for its transparency.
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