On The Last Day Of The Festival The Goddess Is Conveyed With Great Pomp, And Accompanied By Music, To The

Hoogly, where she is put in a boat, rowed into the middle of the stream, and then thrown overboard in

The midst of the shouts and acclamations of the multitude upon the banks. Formerly, the real jewels were thrown in along with the goddess, but carefully fished up again by the priests during the night; at present, the real jewels are replaced on the last day by false ones, or else the founder of the feast takes an opportunity of secretly obtaining possession of them during the goddess's progress to the river. He is obliged to do this very cautiously, however, so as not to be observed by the people. A Natch often costs several thousand rupees, and is one of the most costly items in the expenditure of the rich.

Marriages, too, are said to cost large sums of money. The Brahmins observe the stars, and by their aid calculate the most fortunate day and even hour for the ceremony to take place. It is, however, frequently postponed, at the very last moment, for a few hours longer, as the priest has taken fresh observations, and hit upon a still luckier instant. Of course, such a discovery has to be paid for by an extra fee.

There are several different feasts every year in honour of the four- armed goddess Kally, especially in the village of Kallighat, near Calcutta. There were two during my stay. Before each hut was placed a number of small clay idols, painted with various colours and representing the most horrible creatures. They were exposed there for sale. The goddess Kally, as large as life, had got her tongue thrust out as far as possible between her open jaws; she was placed either before or inside the huts, and was richly decorated with wreaths of flowers.

The temple of Kally is a miserable building, or rather a dark hole, from whose cupola-like roof rise several turrets: the statue here was remarkable for its immense head and horribly long tongue. Its face was painted deep-red, yellow, and sky-blue. I was unable to enter this god-like hole, as I was a woman, and as such was not reckoned worthy of admission into so sacred a place as Kally's temple. I looked in at the door with the Hindoo woman, and was quite satisfied.

The most horrible and distressing scenes occur in the Hindoo dead- houses, and at the places where the corpses are burnt. Those that I saw are situated on the banks of the Hoogly, near the town, and opposite to them is the wood market. The dead-house was small, and contained only one room, in which were four bare bedsteads. The dying person is brought here by his relations, and either placed upon one of the bedsteads, or, if these are all full, on the floor, or, at a push, even before the house in the burning sun.

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