A Woman's Journey Round The World, From Vienna To Brazil, Chili, Tahiti, China, Hindostan, Persia, And Asia Minor By Ida Pfeiffer

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On the outer walls of the principal temple are wretched daubs in
fresco, representing the state of eternal punishment.  Some - Page 146
A Woman's Journey Round The World, From Vienna To Brazil, Chili, Tahiti, China, Hindostan, Persia, And Asia Minor By Ida Pfeiffer - Page 146 of 364 - First - Home

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On The Outer Walls Of The Principal Temple Are Wretched Daubs In Fresco, Representing The State Of Eternal Punishment.

Some of the figures are being roasted, twitched with red-hot pincers, partly baked, or forced to swallow fire.

Others again, are jammed between rocks, or having pieces of flesh cut out of their bodies, etc., but fire appears to play the principal part in these punishments.

The doors of the principal temple are made of metal, and the door posts of ivory. On the first are the most beautiful arabesques in basso-relief, and on the second, in inlaid work, representing flowers and other objects. Before the principal entrance, four of the largest elephant's teeth ever found are stuck up by way of ornament.

Ranged round the court-yard are the tents of the priests, who always go about with bare, shaven heads, and whose costume consists of a light yellow upper garment, which nearly covers the whole body. It is said that there were once 500 officiating priests in this temple; at present the divinity is obliged to content himself with a few dozen.

The chief part of the religious ceremonies of the Buddhists consists in presents of flowers and money. Every morning and evening a most horrible instrument, fit to break the drum of one's ear, and called a tam-tam, together with some shrill trumpets and fifes, is played before the door of the temple. To this soon succeeds a crowd of people from all sides, bringing baskets full of the most beautiful flowers, with which the priests adorn the altars, and that in a manner so elegant and tasty, that it cannot be surpassed.

Besides this temple, there are several others in Candy, but only one worth noticing. This is situated at the foot of a rocky hill, out of which has been hewn a statue of Buddha, thirty-six feet high, and over this is built the temple, which is small and elegant. The god is painted with the most glaring colours. The walls of the temple are covered with handsome red cement, and portioned out into small panels, in all of which the god Buddha appears al fresco. There are also a few portraits of Vischnu, another god. The colours on the southern wall of the temple are remarkable for their fine state of preservation.

Here, likewise, there is a funeral monument, like that of the Temple of Dagoha, not however, in the building itself, but under the lofty firmament of heaven, and shaded by noble trees.

Attached to the temples are frequently schools, in which the priests fulfil the duties of teachers. Near this particular temple, we saw about a dozen boys - girls are not allowed to attend school - busy writing. The copies for them were written very beautifully, by means of a stylus, on small palm-leaves, and the boys used the same material.

It is well worth any person's while to walk to the great valley through which the Mahavilaganga flows.

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