He Resorted To
This Device With The Deliberate Purpose Of Making The Strongest Vessels
Of His Convoy Look Like British Men-Of-War.
In fact, he commanded a fleet
of opulent merchantmen, the best of which, by the mere use of brushes and
pots of paint, and by the hoisting of a few yards of official bunting,
were made to resemble fighting ships.
But, wonder of wonders! this
scarecrow strategy struck terror into the heart of a real Rear-Admiral,
and, as a French historian somewhat lugubriously, but quite candidly,
acknowledges: "Les ruses de Dance reussirent; les flammes bleues, les
canons de bois, les batteries peintes, produisirent leur effet."
No sooner did the French squadron appear, than Dance drew up his convoy
in two lines, with the fifteen smaller vessels under the lee of the
sixteen larger ones, which presented their painted broadsides to the foe.
It was a manoeuvre which threatened a determination to fight, and Linois
was disposed to be cautious. He was puzzled by the number of ships,
having been informed by an American captain at Batavia that only
seventeen were to leave Canton. The larger fleet, and the blue ensigns
fluttering from four masts, imbued him with a spirit of reluctance which
he dignified with the name of prudence. As a naval historian puts it,
"The warlike appearance of the sixteen ships, the regularity of their
manoeuvres, and the boldness of their advance, led the French Admiral to
deliberate whether a part of them were not cruisers."* (* James, Naval
History 3 247.
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