Journals Of Expeditions Of Discovery Into Central Australia And Overland From Adelaide To King George's Sound In The Years 1840-1: Sent By The Colonists Of South Australia By Eyre, Edward John
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At All Times They Are
The Chief Musicians, Vocal And Instrumental.
Sometimes, however, they
have an old man to lead the band and pitch the tunes; and at others they
are assisted by the old and young men indiscriminately.
The natives have not any war-dance, properly so called, though sometimes
they are decorated in all the pomp and circumstance of war. Being
excellent mimies, they imitate in many of their dances the habits and
movements of animals. They also represent the mode of hunting, fighting,
love-making, etc. New figures and new songs are constantly introduced, and
are as much applauded and encored, as more refined productions of a
similar kind in civilized communities; being sometimes passed from tribe
to tribe for a considerable distance. I have often seen dances performed
to songs with which I was acquainted, and which I knew to belong to
distant parts of the country where a different dialect was spoken, and
which consequently could not be understood where I heard them. Many of
the natives cannot even give an interpretation of the songs of their own
districts [Note 65 at end of para.], and most of the explanations they do
give are, I am inclined to think, generally very imperfect, as the
measures or quantities of the syllables appear to be more attended to
than the sense.
[Note 65: "Not one in ten of the young men who are dancing and singing it,
know the meaning of the song they are chaunting over." - Catlin, vol.
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