Journals Of Expeditions Of Discovery Into Central Australia And Overland From Adelaide To King George's Sound In The Years 1840-1: Sent By The Colonists Of South Australia By Eyre, Edward John
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In Some Of The Dances The Music Varies Rapidly From Slow To Quick, And
The Movements Alter Accordingly.
In some they are altogether measured and
monotonous, in others very lively and quick, keeping the performers
almost constantly
At a double quick march, moving in advance and retreat,
crossing past or threading through the ranks, and using a kind of motion
with the feet in unison with the music, that bears a strong resemblance
to the European mode of dancing. At particular points the figures
terminate by some simultaneous motion of the whole performers,
accompanied by a deep, gutteral "Waugh," [Note 66 at end of para.] uttered
by all together; at others by the actors closing in a dense circle, and
raising and pointing their weapons upwards with the same exclamation.
[Note 66: This very peculiar sound appears to be common among the American
Indians, and to be used in a similar manner. - Vide Catlin, vol. 2. p.136.]
The "Paritke," or natives inhabiting the scrub north-west of Moorunde,
have quite a different form of dancing from the river natives. They are
painted or decorated with feathers in a similar way; but each dancer ties
bunches of green boughs round the leg, above the knees, whilst the mode
of dancing consists in stamping with the foot and uttering at each motion
a deep ventral intonation, the boughs round the knees making a loud
rustling noise in keeping with the time of the music. One person, who
directs the others in the movements of this dance, holds in his hands an
instrument in the form of a diamond, made of two slight sticks, from two
and a half to three feet long, crossed and tied in the middle, round this
a string, made of the hair of the opposum, is pressed from corner to
corner, and continued successively towards the centre until there is only
room left for the hand to hold the instrument. At each corner is appended
a bunch of cockatoo feathers. With this the chief performer keeps a
little in advance of the dancers, and whisking it up and down to the time
of the music, regulates their movements.
In another dance, in which women are the chief performers, their bodies
are painted with white streaks, and their hair adorned with cockatoo
feathers. They carry large sticks in their hands, and place themselves in
a row in front, whilst the men with their spears stand in a line behind
them. They then all commence their movements, but without intermingling,
the males and females dancing by themselves. There is little variety or
life in this dance, yet it seems to be a favourite one with the natives.
The women have occasionally another mode of dancing, by joining the hands
together over the head, closing the feet, and bringing the knees into
contact. The legs are then thrown outwards from the knee, whilst the feet
and hands are kept in their original position, and being drawn quickly in
again a sharp sound is produced by the collision.
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