[Note 63:

An amusement of the New Zealand children.

- Dieffenbach, vol. 2. p. 32.]

Other gratifications enjoyed by children, consist in learning the occupations and pursuits of after life, as to make twine, and weapons; to ascend trees; to procure food; to guide the canoe, and many other things, which enter into the pursuits of a savage.

The elder boys engage more extensively in similar occupations, as they are more particularly interested in them, and by their exertions have to provide chiefly for their own support. Mock combats frequently take place amongst them, in which they are encouraged by the adults, that they may acquire the dexterities of warfare, in which they are soon to be more seriously engaged. [Note 64: For an account of a similar practise among the American Indians, vide Catlin, vol. 1. p. 131.]

An amusement of the adults, is a large bunch of emu feathers tied together, (fig. 1. Pl. 1.) which is held out and shaken as if in defiance, by some individual, whilst the others advance to try to take it out of his hands. This occasions an amusing struggle before the prize is gained, in which it is not uncommon to see from ten to twenty strong and lusty men rolling in a heap together. This is a sort of athletic exercise amongst them, for the purpose of testing each other's strength. On such an occasion they are all unarmed and naked.

At nights, dances or plays are performed by the different tribes in turn, the figures and scenes of which are extensively varied, but all are accompanied by songs, and a rude kind of music produced by beating two sticks together, or by the action of the hand upon a cloak of skins rolled tightly together, so as to imitate the sound of a drum. In some of the dances only are the women allowed to take a part; but they have dances of their own, in which the men do not join. At all times they are the chief musicians, vocal and instrumental. Sometimes, however, they have an old man to lead the band and pitch the tunes; and at others they are assisted by the old and young men indiscriminately.

The natives have not any war-dance, properly so called, though sometimes they are decorated in all the pomp and circumstance of war. Being excellent mimies, they imitate in many of their dances the habits and movements of animals. They also represent the mode of hunting, fighting, love-making, etc. New figures and new songs are constantly introduced, and are as much applauded and encored, as more refined productions of a similar kind in civilized communities; being sometimes passed from tribe to tribe for a considerable distance. I have often seen dances performed to songs with which I was acquainted, and which I knew to belong to distant parts of the country where a different dialect was spoken, and which consequently could not be understood where I heard them.

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