1. P. 126.

Also the case in New Zealand, with respect to some of the songs.

- Vide Dieffenbach, vol. 2. p. 57.]

Of these amusements the natives are passionately fond; and when once they have so far overcome their naturally indolent disposition as to be induced to engage in them there is no knowing when they will give over. Dances are sometimes held during the day, but these are of rare occurrence, and seem to be in some way connected with their ceremonial observances or superstitions, since rude figures, and lofty branches of trees, decorated with tufts of feathers, emu plumes, swan's down and red ochre, occupy a prominent part in the exhibition, although never met with in the dances by night.

The dances vary a great deal among the different tribes, both as to figures and music; the painting or decoration of their persons, their use of weapons, and the participation of the females in them. Throughout the entire continent, as far as it is known. there are many points of resemblance in the dances of all the Aborigines, such as the practice of painting the body with white and red ochre, carrying boughs in their hands, or tying them round their limbs; adorning the head with feathers or down, bearing bunches of feathers, tied in tufts in their hands, the women singing and beating time upon folded skins, the men beating time upon sticks or some of their smaller weapons, an old man acting as leader of the band, and giving the time and tune to the others; the dances representing the actions of animals, the circumstances of the chase, of war, or of love; and the singular and extraordinary quivering motion of the thighs when the legs are distended, a peculiarity probably confined to the natives of the continent of Australia.

The most interesting dances are those which take place at the meeting of different tribes. Each tribe performs in turn, and as there is much rivalry, there is a corresponding stimulus to exertion. The dances usually commence an hour or two after dark, and are frequently kept up the greater part of the night, the performers becoming so much excited that, notwithstanding the violent exercise required to sustain all their evolutions, they are unwilling to leave off. It is sometimes difficult to induce them to commence a dance; but if they once begin, and enter into the spirit of it, it is still more difficult to induce them to break up.

The females of the tribe exhibiting, generally sit down in front of the performers, either irregularly, in a line, or a semicircle, folding up their skin cloaks into a hard ball, and then beating them upon their laps with the palm of their hand, and accompanying the noise thus produced with their voices. It is surprising to see the perfect time that is kept in this way, and the admirable manner in which the motions of the dancers accord with the music. There is no confusion, irregularity, or mistake. Each person is conversant with his part; and all exhibit a degree of elasticity and gracefulness in their movements which, in some of the dances, is very striking and beautiful.

In many of the figures, weapons are carried, such as the waddy, the shield, the spear, etc. and in these it is amazing to behold the facility and skill with which they form in close array, spread into open rank, change places, and thread through the mazes of the dance, without ever deranging their plans, or coming in contact with each other.

The tribes who are not engaged in dancing, are seated in a large semicircle as spectators, occasionally giving a rapturous exclamation of delight, as any part of the performance is well gone through or any remarkable feat of activity exhibited. Where natives have not much acquaintance with Europeans, so as to give up, in some measure, their original habits, if there is any degree of jealousy between the respective tribes, they are sometimes partitioned off from each other by boughs of trees, whilst they look at the dance. On one occasion I saw five tribes met together, and the evening was of course spent in dancing. Each tribe danced in turn, about forty being engaged at once, besides sixteen females, eight of whom were at each corner of the male performers. The men were naked, painted in various devices with red and white, and had their heads adorned with feathers. The women wore their opossum cloaks, and had bands of white down round their foreheads, with the long feathers of the cockatoo sticking up in front like horns. In the dance the men and women did not intermingle; but the two sets of women who were dancing at the corners of the line, occasionally changed places with each other, passing in this transit, at the back of the men. All sung, and the men beat time upon their smaller weapons whilst dancing, the whole making up a wild and piercing noise, most deafening and ungrateful to the ears.

The natives of the Rufus and Lake Victoria (Tar-ru) have a great variety of dances and figures. One of these, which I witnessed, representing the character, habits, and chase of the kangaroo was admirably performed, and would have drawn down thunders of applause at any theatre in Europe. One part of this figure, where the whole of the dancers successively drop down from a standing to a crouching posture, and then hop off in this position with outstretched arms and legs, was excellently executed. The contrast of their sable skins with the broad white stripes painted down their legs; their peculiar attitudes, and the order and regularity with which these were kept, as they moved in a large semicircle, in the softening light of the fire, produced a striking effect; and in connection with the wild and inspiriting song, which gave an impulse to their gesticulation, led me almost to believe that the scene was unearthly.

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