Journals Of Expeditions Of Discovery Into Central Australia And Overland From Adelaide To King George's Sound In The Years 1840-1: Sent By The Colonists Of South Australia By Eyre, Edward John

























































































































 -  At these meetings all occurrences of interest
are narrated, information is given as to the localities in which food is - Page 175
Journals Of Expeditions Of Discovery Into Central Australia And Overland From Adelaide To King George's Sound In The Years 1840-1: Sent By The Colonists Of South Australia By Eyre, Edward John - Page 175 of 247 - First - Home

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At These Meetings All Occurrences Of Interest Are Narrated, Information Is Given As To The Localities In Which Food Is Most Abundant, And Invitations Are Issued By The Proprietors Of These Districts, To Their Relations And Friends To Accompany Them Thither.

The position of one tribe towards another, whether on friendly terms or otherwise, is talked about, and consultations are held on the existing state of affairs, whether hostilities shall be continued or withdrawn, and future plans of operation are marked out.

Whilst the men are occupied in discussing these matters, the females engage in a narration of family occurrences, such as births of children, marriages, deaths, etc., not omitting a sprinkling of gossip and scandal, from which, even these ebon sisters of a fairer race, are not altogether exempt.

In the evening, the huts of the different tribes are built as near to each other as practicable, each tribe locating itself in the direction from whence it came. The size and character of the huts, with the number of their occupants, vary according to the state of the weather, and the local circumstances of their position. In fine weather, one hut will contain from two to five families, in wet weather more, each family however having a separate fire.

The amusements of the natives are various, but they generally have a reference to their future occupations or pursuits. Boys who are very young, have small reed spears made for them by their parents, the ends of which are padded with grass, to prevent them from hurting each other. They then stand at a little distance, and engage in a mimic fight; and by this means acquire early that skill in the use of this weapon, for which, in after life, they are so much celebrated. At other times round pieces of bark are rolled along the ground, to represent an animal in the act of running, at which the spears are thrown for the sake of practice.

Another favourite amusement among the children, is to practise the dances and songs of the adults, and a boy is very proud if he attains sufficient skill in these, to be allowed to take part in the exhibitions that are made before other tribes.

String puzzles are another species of amusement with them. In these a European would be surprised to see the ingenuity they display, and the varied and singular figures which they produce. Our juvenile attempts in this way, are very meagre and uninteresting compared to them. [Note 63: An amusement of the New Zealand children. - Dieffenbach, vol. 2. p. 32.]

Other gratifications enjoyed by children, consist in learning the occupations and pursuits of after life, as to make twine, and weapons; to ascend trees; to procure food; to guide the canoe, and many other things, which enter into the pursuits of a savage.

The elder boys engage more extensively in similar occupations, as they are more particularly interested in them, and by their exertions have to provide chiefly for their own support. Mock combats frequently take place amongst them, in which they are encouraged by the adults, that they may acquire the dexterities of warfare, in which they are soon to be more seriously engaged. [Note 64: For an account of a similar practise among the American Indians, vide Catlin, vol. 1. p. 131.]

An amusement of the adults, is a large bunch of emu feathers tied together, (fig. 1. Pl. 1.) which is held out and shaken as if in defiance, by some individual, whilst the others advance to try to take it out of his hands. This occasions an amusing struggle before the prize is gained, in which it is not uncommon to see from ten to twenty strong and lusty men rolling in a heap together. This is a sort of athletic exercise amongst them, for the purpose of testing each other's strength. On such an occasion they are all unarmed and naked.

At nights, dances or plays are performed by the different tribes in turn, the figures and scenes of which are extensively varied, but all are accompanied by songs, and a rude kind of music produced by beating two sticks together, or by the action of the hand upon a cloak of skins rolled tightly together, so as to imitate the sound of a drum. In some of the dances only are the women allowed to take a part; but they have dances of their own, in which the men do not join. At all times they are the chief musicians, vocal and instrumental. Sometimes, however, they have an old man to lead the band and pitch the tunes; and at others they are assisted by the old and young men indiscriminately.

The natives have not any war-dance, properly so called, though sometimes they are decorated in all the pomp and circumstance of war. Being excellent mimies, they imitate in many of their dances the habits and movements of animals. They also represent the mode of hunting, fighting, love-making, etc. New figures and new songs are constantly introduced, and are as much applauded and encored, as more refined productions of a similar kind in civilized communities; being sometimes passed from tribe to tribe for a considerable distance. I have often seen dances performed to songs with which I was acquainted, and which I knew to belong to distant parts of the country where a different dialect was spoken, and which consequently could not be understood where I heard them. Many of the natives cannot even give an interpretation of the songs of their own districts [Note 65 at end of para.], and most of the explanations they do give are, I am inclined to think, generally very imperfect, as the measures or quantities of the syllables appear to be more attended to than the sense.

[Note 65: "Not one in ten of the young men who are dancing and singing it, know the meaning of the song they are chaunting over." - Catlin, vol.

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