Omoo By Herman Melville





















































































































 -  Thus martyred in the cause of the Fine Arts.

Beside the regular practitioners, there are a parcel of shabby,
itinerant - Page 20
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Thus Martyred In The Cause Of The Fine Arts.

Beside the regular practitioners, there are a parcel of shabby, itinerant tattooers, who, by virtue of their calling, stroll unmolested from one hostile bay to another, doing their work dog-cheap for the multitude.

They always repair to the various religious festivals, which gather great crowds. When these are concluded, and the places where they are held vacated even by the tattooers, scores of little tents of coarse tappa are left standing, each with a solitary inmate, who, forbidden to talk to his unseen neighbours, is obliged to stay there till completely healed. The itinerants are a reproach to their profession, mere cobblers, dealing in nothing but jagged lines and clumsy patches, and utterly incapable of soaring to those heights of fancy attained by the gentlemen of the faculty.

All professors of the arts love to fraternize; and so, in Hannamanoo, the tattooers came together in the chapters of their worshipful order. In this society, duly organized, and conferring degrees, Hardy, from his influence as a white, was a sort of honorary Grand Master. The blue shark, and a sort of Urim and Thummim engraven upon his chest, were the seal of his initiation. All over Hivarhoo are established these orders of tattooers. The way in which the renegado's came to be founded is this. A year or two after his landing there happened to be a season of scarcity, owing to the partial failure of the breadfruit harvest for several consecutive seasons. This brought about such a falling off in the number of subjects for tattooing that the profession became quite needy. The royal ally of Hardy, however, hit upon a benevolent expedient to provide for their wants, at the same time conferring a boon upon many of his subjects.

By sound of conch-shell it was proclaimed before the palace, on the beach, and at the head of the valley, that Noomai, King of Hannamanoo, and friend of Hardee-Hardee, the white, kept open heart and table for all tattooers whatsoever; but to entitle themselves to this hospitality, they were commanded to practise without fee upon the meanest native soliciting their services.

Numbers at once flocked to the royal abode, both artists and sitters. It was a famous time; and the buildings of the palace being "taboo" to all but the tattooers and chiefs, the sitters bivouacked on the common, and formed an extensive encampment.

The "Lora Tattoo," or the Time of Tattooing, will be long remembered. An enthusiastic sitter celebrated the event in verse. Several lines were repeated to us by Hardy, some of which, in a sort of colloquial chant he translated nearly thus:

"Where is that sound? In Hannamanoo. And wherefore that sound? The sound of a hundred hammers, Tapping, tapping, tapping The shark teeth."

"Where is that light? Round about the king's house, And the small laughter? The small, merry laughter it is Of the sons and daughters of the tattooed."

CHAPTER IX.

WE STEER TO THE WESTWARD - STATE OF AFFAIRS

THE night we left Hannamanoo was bright and starry, and so warm that, when the watches were relieved, most of the men, instead of going below, flung themselves around the foremast.

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