The Dancers In The Meantime Go Through All Sorts Of Queer
Movements And Pantomimes.
First, we may have the kangaroo corroboree, in
which a man hops towards the musicians and back again, to be followed in
turn by every other dancer and finally by the whole lot, who advance
hopping together, ending up with a wild yell, in which all join.
Then we may have the emu-corroboree, where each in his turn stalks
solemnly around with the right arm raised, with elbow bent, wrist and
hand horizontal and poked backwards and forwards, to represent the emu's
neck and head. The left hand held behind the back, like that of a shy
official expecting a tip, stands for the emu's tail. Thus they advance
slowly and jerkily with back bent and arm pointing now this way, now
that, like an inquisitive emu who is not sure of his ground.
Next the mallee-hen builds her nest, and each dancer comes forward at a
mincing trot, in his hands a few twigs and leaves, which he deposits in
front of the "orchestra," and, having built his nest, retires. And so
they go on mimicking with laughable accuracy the more common beasts and
birds.
The most comical dance in which they all joined - that is all the
dancers - was one in which they stood on tiptoe, with knees bent and
shaking together as if with fear, then giving forth a sort of hissing
noise, through fiercely clenched teeth, they quickly advanced in three or
four lines and retired trotting backwards.
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