The Smallest Of These Galleries Was That Nearest The Gate Of Entrance, And They Gradually Became Larger And Fairer In Succession, The Most Sumptuous Being At The Farthest End.

The walls of all these apartments were elegantly painted with the portraits and histories of the former kings.

Every year, on certain holidays dedicated to the idols, Fanfur used to hold open court, on which occasion he feasted his chief lords, the principal merchants, and rich artificers of Quinsai, 10,000 at a time in these halls, the feasts continuing for ten or twelve successive days, with incredible magnificence, every guest using his utmost endeavours to appear in the most pompous dresses. On one side of this magnificent range of galleries, there was a wall dividing it from a great cloistered court, having a terrace all round, set with pillars, communicating with which were the chambers of the king and queen, all curiously wrought, carved, gilded, and painted with the utmost splendour and magnificence. From this cloister, a covered gallery, six paces wide, extended a great length all the way to the lake; and on each side of this gallery there were ten courts, answering to each other like cloisters, each having fifty chambers with their gardens, and in these there were 1000 concubines for the kings service. Sometimes with the queen, and sometimes with these concubines, the king used to go in his barge for recreation on the lake, or to visit the idol temples. The rest of the great inclosure was divided into graves, lakes, and gardens, in which all sorts of beasts of chase were kept, as stags, roebucks, hares, conies, and others, and there the king used to divert himself with his damsels, in chariots, or on horseback, no man being allowed to enter there.

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