Tales Of A Traveller, By Washington Irving

















































































































 -  But I am running away from my subject with
the recollection of youthful follies, said the Baronet, checking
himself; let - Page 16
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But I Am Running Away From My Subject With The Recollection Of Youthful Follies, Said The Baronet, Checking Himself; "Let Me Come To The Point."

Among my familiar resorts was a Cassino under the Arcades on one side of the grand square of St. Mark.

Here I used frequently to lounge and take my ice on those warm summer nights when in Italy every body lives abroad until morning. I was seated here one evening, when a group of Italians took seat at a table on the opposite side of the saloon. Their conversation was gay and animated, and carried on with Italian vivacity and gesticulation.

I remarked among them one young man, however, who appeared to take no share, and find no enjoyment in the conversation; though he seemed to force himself to attend to it. He was tall and slender, and of extremely prepossessing appearance. His features were fine, though emaciated. He had a profusion of black glossy hair that curled lightly about his head, and contrasted with the extreme paleness of his countenance. His brow was haggard; deep furrows seemed to have been ploughed into his visage by care, not by age, for he was evidently in the prime of youth. His eye was full of expression and fire, but wild and unsteady. He seemed to be tormented by some strange fancy or apprehension. In spite of every effort to fix his attention on the conversation of his companions, I noticed that every now and then he would turn his head slowly round, give a glance over his shoulder, and then withdraw it with a sudden jerk, as if something painful had met his eye. This was repeated at intervals of about a minute, and he appeared hardly to have got over one shock, before I saw him slowly preparing to encounter another.

After sitting some time in the Cassino, the party paid for the refreshments they had taken, and departed. The young man was the last to leave the saloon, and I remarked him glancing behind him in the same way, just as he passed out at the door. I could not resist the impulse to rise and follow him; for I was at an age when a romantic feeling of curiosity is easily awakened. The party walked slowly down the Arcades, talking and laughing as they went. They crossed the Piazzetta, but paused in the middle of it to enjoy the scene. It was one of those moonlight nights so brilliant and clear in the pure atmosphere of Italy. The moon-beams streamed on the tall tower of St. Mark, and lighted up the magnificent front and swelling domes of the Cathedral. The party expressed their delight in animated terms. I kept my eye upon the young man. He alone seemed abstracted and self-occupied. I noticed the same singular, and, as it were, furtive glance over the shoulder that had attracted my attention in the Cassino. The party moved on, and I followed; they passed along the walks called the Broglio; turned the corner of the Ducal palace, and getting into a gondola, glided swiftly away.

The countenance and conduct of this young man dwelt upon my mind. There was something in his appearance that interested me exceedingly. I met him a day or two after in a gallery of paintings. He was evidently a connoisseur, for he always singled out the most masterly productions, and the few remarks drawn from him by his companions showed an intimate acquaintance with the art. His own taste, however, ran on singular extremes. On Salvator Rosa in his most savage and solitary scenes; on Raphael, Titian, and Corregio in their softest delineations of female beauty. On these he would occasionally gaze with transient enthusiasm. But this seemed only a momentary forgetfulness. Still would recur that cautious glance behind, and always quickly withdrawn, as though something terrible had met his view.

I encountered him frequently afterwards. At the theatre, at balls, at concerts; at the promenades in the gardens of San Georgio; at the grotesque exhibitions in the square of St. Mark; among the throng of merchants on the Exchange by the Rialto. He seemed, in fact, to seek crowds; to hunt after bustle and amusement; yet never to take any interest in either the business or gayety of the scene. Ever an air of painful thought, of wretched abstraction; and ever that strange and recurring movement, of glancing fearfully over the shoulder. I did not know at first but this might be caused by apprehension of arrest; or perhaps from dread of assassination. But, if so, why should he go thus continually abroad; why expose himself at all times and in all places?

I became anxious to know this stranger. I was drawn to him by that Romantic sympathy that sometimes draws young men towards each other. His melancholy threw a charm about him in my eyes, which was no doubt heightened by the touching expression of his countenance, and the manly graces of his person; for manly beauty has its effect even upon man. I had an Englishman's habitual diffidence and awkwardness of address to contend with; but I subdued it, and from frequently meeting him in the Cassino, gradually edged myself into his acquaintance. I had no reserve on his part to contend with. He seemed on the contrary to court society; and in fact to seek anything rather than be alone.

When he found I really took an interest in him he threw himself entirely upon my friendship. He clung to me like a drowning man. He would walk with me for hours up and down the place of St. Mark - or he would sit until night was far advanced in my apartment; he took rooms under the same roof with me; and his constant request was, that I would permit him, when it did not incommode me, to sit by me in my saloon. It was not that he seemed to take a particular delight in my conversation; but rather that he craved the vicinity of a human being; and above all, of a being that sympathized with him.

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