Letters Of A Traveller, By William Cullen Bryant















































































































 -  He may,
also, if he pleases, compel his master to sell him a certain portion of
his time, which he - Page 95
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He May, Also, If He Pleases, Compel His Master To Sell Him A Certain Portion Of His Time, Which He May Employ To Earn The Means Of Purchasing His Entire Freedom.

It is owing to this, I suppose, that the number of free blacks is so large in the island,

And it is manifest that if the slave-trade could be checked, and these laws remain unaltered, the negroes would gradually emancipate themselves - all at least who would be worth keeping as servants. The population of Cuba is now about a million and a quarter, rather more than half of whom are colored persons, and one out of every four of the colored population is free. The mulattoes emancipate themselves as a matter of course, and some of them become rich by the occupations they follow. The prejudice of color is by no means so strong here as in the United States. Five or six years since the negroes were shouting and betting in the cockpits with the whites; but since the mulatto insurrection, as it is called, in 1843, the law forbids their presence at such amusements. I am told there is little difficulty in smuggling people of mixed blood, by the help of legal forms, into the white race, and if they are rich, into good society, provided their hair is not frizzled.

You hear something said now and then in the United States concerning the annexation of Cuba to our confederacy; you may be curious, perhaps, to know what they say of it here. A European who had long resided in the island, gave me this account:

"The Creoles, no doubt, would be very glad to see Cuba annexed to the United States, and many of them ardently desire it. It would relieve them from many great burdens they now bear, open their commerce to the world, rid them of a tyrannical government, and allow them to manage their own affairs in their own way. But Spain derives from the possession of Cuba advantages too great to be relinquished. She extracts from Cuba a revenue of twelve millions of dollars; her government sends its needy nobility, and all for whom it would provide, to fill lucrative offices in Cuba - the priests, the military officers, the civil authorities, every man who fills a judicial post or holds a clerkship is from old Spain. The Spanish government dares not give up Cuba if it were inclined.

"Nor will the people of Cuba make any effort to emancipate themselves by taking up arms. The struggle with the power of Spain would be bloody and uncertain, even if the white population were united, but the mutual distrust with which the planters and the peasantry regard each other, would make the issue of such an enterprise still more doubtful. At present it would not be safe for a Cuba planter to speak publicly of annexation to the United States. He would run the risk of being imprisoned or exiled."

Of course, if Cuba were to be annexed to the United States, the slave trade with Africa would cease to be carried on as now, though its perfect suppression might be found difficult. Negroes would be imported in large numbers from the United States, and planters would emigrate with them. Institutions of education would be introduced, commerce and religion would both be made free, and the character of the islanders would be elevated by the responsibilities which a free government would throw upon them. The planters, however, would doubtless adopt regulations insuring the perpetuity of slavery; they would unquestionably, as soon as they were allowed to frame ordinances for the island, take away the facilities which the present laws give the slave for effecting his own emancipation.

Letter L.

English Exhibitions of Works of Art.

London, _July_ 7, 1849.

I have just been to visit a gallery of drawings in water-colors, now open for exhibition. The English may be almost said to have created this branch of art. Till within a few years, delineations in water-colors, on drawing paper, have been so feeble and meagre as to be held in little esteem, but the English artists have shown that as much, though in a somewhat different way, may be done on drawing-paper as on canvas; that as high a degree of expression may be reached, as much strength given to the coloring, and as much boldness to the lights and shadows. In the collection of which I speak, are about four hundred drawings not before exhibited. Those which appeared to me the most remarkable, though not in the highest department of art, were still-life pieces by Hunt. It seems to me impossible to carry pictorial illusion to a higher pitch than he has attained. A sprig of hawthorn flowers, freshly plucked, lies before you, and you are half-tempted to take it up and inhale its fragrance; those speckled eggs in the bird's nest, you are sure you might, if you pleased, take into your hand; that tuft of ivy leaves and buds is so complete an optical deception, that you can hardly believe that it has not been attached by some process to the paper on which you see it. A servant girl, in a calico gown, with a broom, by the same artist, and a young woman standing at a window, at which the light is streaming in, are as fine in their way, and as perfect imitations of every-day nature, as you see in the works of the best Flemish painters.

It is to landscape, however, that the artists in water-colors have principally devoted their attention. There are several very fine ones in the collection by Copley Fielding, the foregrounds drawn with much strength, the distant objects softly blending with the atmosphere as in nature, and a surprising depth and transparency given to the sky. Alfred Fripp and George Fripp have also produced some very fine landscapes - mills, waters in foam or sleeping in pellucid pools, and the darkness of the tempest in contrast with gleams of sunshine.

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