A Statue May Stand For Ages In A
Public Square, Within The Reach Of Any One Who Passes, And With
No
sentinel to guard it, and yet it shall not only be safe from mutilation,
but the surface of the
Marble shall never be scratched, or even
irreverently scored with a lead pencil. So general is this reverence for
art, that the most perfect confidence is reposed in it. I remember that in
Paris, as I was looking at a colossal plaster cast of Napoleon at the
Hotel des Invalides, a fellow armed with a musket who stood by it bolt
upright, in the stiff attitude to which the soldier is drilled, gruffly
reminded me that I was too near, though I was not within four feet of it.
In Florence it is taken for granted that you will do no mischief, and
therefore you are not watched.
Letter IV.
A Day in Florence.
Pisa, _December_ 11, 1834.
It is gratifying to be able to communicate a piece of political
intelligence from so quiet a nook of the world as this. Don Miguel arrived
here the other day from Genoa, where you know there was a story that he
and the Duchess of Berri, a hopeful couple, were laying their heads
together. He went to pay his respects to the Grand Duke of Tuscany, who is
now at Pisa, and it was said by the gossips of the place that he was
coldly received, and was given to understand that he could not be allowed
to remain in the Tuscan territory. There was probably nothing in all this.
Don Miguel has now departed for Rome, and the talk of to-day is that he
will return before the end of the winter. He is doubtless wandering about
to observe in what manner he is received at the petty courts which are
influenced by the Austrian policy, and in the mean time lying in wait for
some favorable opportunity of renewing his pretensions to the crown of
Spain.
Pisa offers a greater contrast to Florence than I had imagined could exist
between two Italian cities. This is the very seat of idleness and
slumber; while Florence, from being the residence of the Court, and from
the vast number of foreigners who throng to it, presents during several
months of the year an appearance of great bustle and animation. Four
thousand English, an American friend tells me, visit Florence every
winter, to say nothing of the occasional residents from France, Germany,
and Russia. The number of visitors from the latter country is every year
increasing, and the echoes of the Florence gallery have been taught to
repeat the strange accents of the Sclavonic. Let me give you the history
of a fine day in October, passed at the window of my lodgings on the Lung'
Arno, close to the bridge _Alla Carraja_. Waked by the jangling of all the
bells in Florence and by the noise of carriages departing loaded with
travellers, for Rome and other places in the south of Italy, I rise, dress
myself, and take my place at the window. I see crowds of men and women
from the country, the former in brown velvet jackets, and the latter in
broad-brimmed straw hats, driving donkeys loaded with panniers or
trundling hand-carts before them, heaped with grapes, figs, and all the
fruits of the orchard, the garden, and the field. They have hardly passed,
when large flocks of sheep and goats make their appearance, attended by
shepherds and their families, driven by the approach of winter from the
Appenines, and seeking the pastures of the Maremma, a rich, but, in the
summer, an unhealthy tract on the coast; The men and boys are dressed in
knee-breeches, the women in bodices, and both sexes wear capotes with
pointed hoods, and felt hats with conical crowns; they carry long staves
in their hands, and their arms are loaded with kids and lambs too young to
keep pace with their mothers. After the long procession of sheep and goats
and dogs and men and women and children, come horses loaded with cloths
and poles for tents, kitchen utensils, and the rest of the younglings of
the flock. A little after sunrise I see well-fed donkeys, in coverings of
red cloth, driven over the bridge to be milked for invalids.
Maid-servants, bareheaded, with huge high carved combs in their hair,
waiters of coffee-houses carrying the morning cup of coffee or chocolate
to their customers, baker's boys with a dozen loaves on a board balanced
on their heads, milkmen with rush baskets filled with flasks of milk, are
crossing the streets in all directions. A little later the bell of the
small chapel opposite to my window rings furiously for a quarter of an
hour, and then I hear mass chanted in a deep strong nasal tone. As the day
advances, the English, in white hats and white pantaloons, come out of
their lodgings, accompanied sometimes by their hale and square-built
spouses, and saunter stiffly along the Arno, or take their way to the
public galleries and museums. Their massive, clean, and brightly-polished
carriages also begin to rattle through the streets, setting out on
excursions to some part of the environs of Florence - to Fiesole, to the
Pratolino, to the Bello Sguardo, to the Poggio Imperiale. Sights of a
different kind now present themselves. Sometimes it is a troop of stout
Franciscan friars, in sandals and brown robes, each carrying his staff and
wearing a brown broad-brimmed hat with a hemispherical crown. Sometimes it
is a band of young theological students, in purple cassocks with red
collars and cuffs, let out on a holiday, attended by their clerical
instructors, to ramble in the Cascine. There is a priest coming over the
bridge, a man of venerable age and great reputation for sanctity - the
common people crowd around him to kiss his hand, and obtain a kind word
from him as he passes.
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