The Architecture Of Venice Has To My Eyes, Something Watery And
Oceanic In Its Aspect.
Under the hands of Palladio, the Grecian orders
seemed to borrow the lightness and airiness of the Gothic.
As you look at
the numerous windows and the multitude of columns which give a striated
appearance to the fronts of the palaces, you think of stalactites and
icicles, such as you might imagine to ornament the abodes of the
water-gods and sea-nymphs. The only thing needed to complete the poetic
illusion is transparency or brilliancy of color, and this is wholly
wanting; for at Venice the whitest marble is soon clouded and blackened by
the corrosion of the sea-air.
It is not my intention, however, to do so hackneyed a thing as to give a
description of Venice. One thing, I must confess, seemed to me
extraordinary: how this city, deprived as it is of the commerce which
built it up from the shallows of the Adriatic, and upheld it so long and
so proudly, should not have decayed even more rapidly than it has done.
Trieste has drawn from it almost all its trade, and flourishes by its
decline. I walked through the arsenal of Venice, which comprehends the
Navy Yard, an enormous structure, with ranges of broad lofty roofs
supported by massive portions of wall, and spacious dock-yards; the whole
large enough to build and fit out a navy for the British empire. The
pleasure-boats of Napoleon and his empress, and that of the present
Viceroy, are there:
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