From Paris); this is certainly a noble
piece of sculpture; the bodily pain and mental anguish are singularly well
expressed in the countenance; a superb bronze statue of Hercules; a Centaur
in black marble; a Faun in rosso antico; a group of Cupid and Psyche; a
Venus in Parian marble rather larger than the common size. One of the halls
in this museum contains the busts of all the philosophers; another those of
all the Roman emperors; there is also a colossal statue of Pyrrhus; a
superb Agrippina and the celebrated mosaic of the four pigeons. In
enumerating the above I have only to observe that they only constitute a
thousandth part of what is to be seen here. After passing three hours in
this wing of the building, I went over across the courtyard to the other
wing. Under the portico of this wing the following are the most remarkable
among the statues: a Roman triumphans, two Phrygian kings in black
marble. In one of the rooms above stairs is a very remarkable piece of
antiquity, viz., the bronze wolf giving suck to Romulus and Remus, which
was found in the temple of Romulus and which was struck by lightning during
the consulate of Julius: the marks made by the lightning are quite
distinct. There is in this wing a small but excellent collection of
paintings, and a great variety of statues, busts, sarcophagi, candelabra,
and antiquities of all sorts.
The front part, or corps de logis of the Capitol is called Il Palazzo
del Senato conservatore, and is the residence of the Senator Romano who
is chosen by the Pope. By the bye, I understand this dignity is generally
given to a foreigner, the Pontiffs being, rather jealous of the Roman
nobility.
This wing of the Capitol employed me two hours; but I must visit this
Museum as well as that of the Vatican often again; for it would require
months and years to examine them duly.
ROME, 18th Sept.
On this side of the river which is called Transtevere, I had an
opportunity of observing the inhabitants, who are called Transteverini,
the most of whom pretend to be the descendants of the ancient Romans,
unmixed with any foreign blood. They certainly have very much of that
physiognomy that is attributed to the ancient Romans, for they are a tall,
very robust race of men having something of a ferocious dignity in their
countenance which, however, is full of expression, and the aquiline nose is
a prominent feature among them. They are exceedingly jealous of their
women, whom they keep within doors as much as they can, and if a stranger
on passing by their doors should chance to observe their wives or daughters
who may be standing there and should stop to admire them (for many of them
have an air of antique beauty and majesty of countenance which is
remarkably striking), they will instantly order the females to retire, with
an air of asperity.
Whether they really be the pure descendants of the ancient Romans is
difficult to say: but it is by no means improbable, since even to this day
they intermarry solely with one another, and refuse to give their daughters
in marriage to foreigners or to those of mixed blood.
Instances have been known of these families, who are for the most part very
poor, refusing the most advantageous offers of marriage made to their
daughters by rich foreign merchants and artists, on the ground merely that
the suitors were not Romani but Barbari.
As for the bourgeoisie of Rome in general, they have been for some
centuries back and are a very mixed race, composed of all the nations of
Europe. Most of the foreign artists who come here to study the fine arts,
viz., Belgians, Dutch, German, French, English, Swedes, Danes, Poles and
Russians, as well as those from other parts of Italy, struck with the
beauty of the women, and pleased with the tranquility and agreeable society
that prevails in this metropolis, and the total freedom from all gene and
etiquette, marry Roman women and fix here for life: so that among this
class you meet with more foreign names than Roman; and it is this sort of
colonisation which keeps up the population of Rome, which would otherwise
greatly decrease as well from the celibacy of the number that become
priests, as from the malaria that prevails in and about the city in July
and August.
ROME, 19th Sept.
I have been employed for the last two days in visiting some of the
churches, palazzi and villas of modern Rome; but the number is so
prodigious and there are such a variety of things to be seen in each that I
shall only make mention of a few; indeed there are many that I have not
seen and probably shall not have time to see. As sacred things should
precede profane, let us begin with the churches.
The first that claims the attention of the traveller after St Peter's, is
the church of St John Lateran which is the oldest church in Christendom,
and was the metropolitan of Rome and of the Christian world before the
building of St Peter's. It lies very nearly in a right line with the
Piazza di Spagna, and on a prolonged line, forming an obtuse angle with
the church of Santa Maria Maggiore, which, as I first visited, I shall
first describe and afterwards resume what I have to remark on the subject
of St John Lateran.
Santa Maria Maggiore is the third church in importance, but the second in
magnificence in Rome. Before its facade stands a single column of granite
of the Corinthian order. The facade of this church is beautiful but it
would be far better without the campanile, which I think always
disfigures a church of Grecian architecture; besides it is not in the
centre of the building.
