After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  Such were the reflections I made on
walking about the Arena of this colossal edifice so worthy of the popolo - Page 78
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 78 of 149 - First - Home

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Such Were The Reflections I Made On Walking About The Arena Of This Colossal Edifice So Worthy Of The Popolo Re.

On leaving the Coliseum the first thing that meets the eye is the Arch of Constantine, under which the Roman triumphal and ovationary processions moved towards the Capitol.

The Arch of Constantine stands just outside the Coliseum. It is of immense size and extremely well preserved. The ground on which it stands being much filled up and only half of the Arch appearing, the rest remaining buried in the earth, it was judged adviseable to excavate all around it in order to come to the pedestal; so that now there is a walled enclosure all around it and into this enclosure it is a descent of at least eighteen feet from the ground outside. Several statues of captive Kings and bas-reliefs representing the victories of Constantine adorn the facade of this triumphal arch. The inscriptions are perfect, and the letters were formerly filled up with bronze; but these have been taken out at the repeated sackings that poor Rome has undergone from friend and foe. At a short distance from the Arch of Constantine is the Arch of Titus, under which we moved along on our road towards the Capitol and my friend the Jew was too much of a cosmopolite to feel the smallest repugnance at walking under the Arch. Our conversation then turned on the absurd hatred and prejudice that existed between Christians and Jews; he was very liberal on this subject and in speaking of Jesus Christ he said: "Jesus Christ was a Jew and a real philosopher and was therefore persecuted, for his philosophy interfered too much with, and tended to shake the political fabric of the Jewish constitution and to subvert our old customs and usages: for this reason he was put to death. I seek not to defend or palliate the injustice of the act or the barbarity with which he was treated; but our nation did surely no more than any other nation ancient or modern has done or would still do against reformers and innovators."

The Arch of Titus is completely defaced outside, but in the interior of the Arch, on each side, is a bas relief: the one representing Vespasian's triumph over the Jews, and the Emperor himself in a car drawn by six horses; the other represents the soldiers and followers of the triumph, bearing the spoils of the conquered nation, and among them the famous candlesticks that adorned the temple of Jerusalem are very conspicuous. These figures are in tolerable preservation, only that the Emperor has lost his head and one of the soldiers has absconded.

On issuing from the Arch of Titus we found ourselves in the Forum, now the Campo Vaccino: so that cattle now low where statesmen and orators harangued, and lazy priests in procession tread on the sacred dust of heroes.

Ou des pretres heureux foulent d'un pied tranquille Les tombeaux des Catons et les cendres d'Emile.

So sings Voltaire, I believe, or if they are not his lines, they are the Abbe Delille's.[84]

The imagination is quite bewildered here from the variety of ancient monuments that meet the eye in every direction. What vast souvenirs crowd all at once on the mind! Look all around! the Via Sacra, the Arch of Severus, and the Capitol in front; on one side of you, the temple of Peace, that of Faustina and that of the Sun and Moon: on the other the remaining three columns of the temple of Jupiter Stator; the three also of the temple of Jupiter Tonans; the eight columns of the temple of Concord; and the solitary column of Phocas. At a short distance the temple of Castor and Pollux and that of Romulus and Remus, which is a round building of great antiquity, whose rusticity forms a striking contrast with the elegance of the colonnaded temples, and which was evidently built before the conquest of Greece by the Romans and the consequent introduction of the fine arts and of the Grecian orders of architecture.

You may wish to know my sensations on traversing this sacred ground. The Via Sacra recalled to me Horace meeting the bavard who addresses him: Quid agis, dulcissime rerum?[85] I then thought of the Sabine rape; of Brutus' speech over the body of Lucretia; then I almost fancied I could see the spot where stood the butcher's shop, from whence Virginius snatched the knife to immolate his daughter at the shrine of Honor; next the shade of Regulus flitted before my imagination, refusing to be exchanged; then I figured to myself Cicero thundering against Catiline; or the same with delicate irony ridiculing the ultra-rigor of the Stoics, so as to force even the gravity of Cato to relax into a smile; then the grand, the heroic act of Marcus Brutus in immolating the great Caesar at the altar of liberty. All these recollections and ideas crowded on my imagination without regard to order or chronology, and I remained for some time in a state of the most profound reverie, from which I was only roused by my friend the Jew reminding me that we had a quantity of other things to see.

The first object that engaged my attention on being roused from my reverie, was the Arch of Severus at the foot of the Capitol which towers above it. Excavations have been made around this Arch (for otherwise only half of it could be seen) and a stone wall built around the excavated ground in the same manner as at the Arch of Constantine. Round several of the columns of the temples I have above enumerated, excavations have been also made; otherwise the lower half of them would remain buried in the earth and give to the monuments the appearance of a city which had been half swallowed up by an earthquake. By dint of digging round the column of Phocas, the ancient paved road which led to the Capitol has been discovered and is now open to view.

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