After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  There is no
other monument in honour of Charlemagne, but a plain stone on the floor of
the Church with - Page 55
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 55 of 558 - First - Home

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There Is No Other Monument In Honour Of Charlemagne, But A Plain Stone On The Floor Of The Church With

The simple inscription "Carolo Magno." On going out of the city thro' one of the gates, and at a short

Distance from it, we ascended the mountain or rather hill called the Louisberg on which are built a Ridotto and Cafe, as also a Column erected in honour of Napoleon with a suitable inscription; the inscription is effaced and is about to be replaced by another in the German language in commemoration of the downfall of the Tyrant, as the Coalition are pleased to call him. This Tyrant is however extremely regretted by the inhabitants of Aix-la-Chapelle and not without reason, for he was a great benefactor to them and continually embellished the city, confirming and increasing its privileges. The inhabitants are not at all pleased with their new masters; for the behaviour of the Prussian military has been so insulting and overbearing towards the burghers and students that it is, I am told, a common exclamation among the latter, alluding to the Prussians having stiled themselves their deliverers: De nostris liberatoribus, Domine, libera nos. Indeed, I can evidently discern that they are not particularly pleased at the result of the battle of Waterloo.

In the evening I went to the theatre, which has the most inconvenient form imaginable, being a rectangle. As anti-Gallicanism is the order of the day, only German dramas are allowed to be performed and this night it was the tragedy of Faust, or Dr Faustus as we term him in England, not the Faust of Goethe, which is not meant for nor at all adapted to the stage, but a drama of that name written by Klingmann.[18] It is a strange wild piece, quite in the German style and full of horrors and diableries.

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