After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  It was supposed that this was the peculiar
style of the author, and that he adopted it from inability to - Page 529
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 529 of 558 - First - Home

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It Was Supposed That This Was The Peculiar Style Of The Author, And That He Adopted It From Inability To Compose In The Classic Taste, When Behold!

By way of proving the contrary, he has given us a drama simple in its plot, where all the

Unities are preserved, and where the subject one would think was too well known to produce much interest; he has given, I say, to this piece (Sappho), from the extreme harmony of its versification and the pathos of the sentiments expressed therein, an effect which I doubt any tragedy of Euripides or Sophocles surpasses. The character of Sappho and her passion for Phaon; his indifference to her and attachment to the young Melitta, an attendant and slave of Sappho's, and Sappho throwing herself into the sea after uniting Phaon and Melitta, constitute the plot of the drama. But simple as the plot, and old as the story is, it excites the greatest interest, and never fails to draw tears from the audience. What can be more artless and pathetic, for instance, than these lines of the young Melitta when she regrets her expatriatioa:

Kein Busen schlaegt mlr bier in diesem Lande, Und meine Freunden wohnen weit von hier.

In English:

No bosom beats for me in this strange land, And far from here my friends and parents dwell.

I have no doubt that some of these days Sappho will be translated into the idiom of modern Greece and acted in that country. The actress, who did the part of Sappho, gave it full effect, and the part of the young Melitta was fairly performed; but I did not approve of the acting of the performer who played Phaon.

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