After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  The walls
on each side of this hall are inlaid with tablets bearing inscriptions in
Greek, Latin and Etruscan. One - Page 303
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 303 of 558 - First - Home

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The Walls On Each Side Of This Hall Are Inlaid With Tablets Bearing Inscriptions In Greek, Latin And Etruscan.

One is quite bewildered amongst such a profusion of Gods, Semi-Gods, Heroes.

I must single out a few of the most remarkable for their workmanship. Here is a group representing the sacrifice of Mithras. On ascending a few steps at the other end of this hall, in a small octangular room, are the statue of Meleager; the famous Torso; the tomb of Scipio with bas-reliefs. On leaving the chamber you come into an octangular gallery, issuing from which are four circular chambers; each chamber contains a masterpiece of art. In one is the Apollo Belvedere, in another the Laocoon (both safely arrived from Paris); in the third Antinous; in the fourth the Perseus of Canova, with Medusa's head and his famous group of the two pugilists. Descriptions of the three first would be superfluous - for of them

Mills altri han detto e con via miglior plettro,

and even with respect to the Perseus of Canova, I shall content myself with remarking that the sculptor had evidently the Apollo Belvedere in his ideal, and if he has not quite equalled that celebrated statue, it is because it is impossible; but he certainly has given the nearest possible approximation to its excellence.

In another hall and just at its entrance are the statues of Menander and Posidippus in a sitting posture, one on either side. In this hall are innumerable fine statues, but the further end of it, fronting you as you enter, is a statue which at once engages and rivets your undivided attention; it at once induces you to approach and to take no notice of the statues on the right and left of the hall.

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