After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  The scene then changes to the place of execution; the funeral
procession takes place; the vault is dug and a - Page 243
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The Scene Then Changes To The Place Of Execution; The Funeral Procession Takes Place; The Vault Is Dug And A Man Stands By With A Pitcher Of Water And Loaf Of Bread, To Deliver To Her When She Should Descend.

The Consuls are present, attended by the Lictors and Aediles.

All the other vestals are present, of whom the culprit takes an affectionate leave and is about to descend into the vault. Suddenly a noise of arms and shouts are heard. It is her lover who having collected a few followers come rushing forward with arms in their hands to arrest the execution. He forces his way into the presence of the Consuls, but the sight of his father inspires him with awe; he staggers back; at this moment a Lictor at the command of the other Consul plunges a spear into his breast. The Vestal is hurried to the brink of the vault, into which she is forced to descend to the accompaniment of mournful music, while her dying lover vainly endeavours to crawl towards her. The curtain falls.

The exquisite acting of La Pallerini drew tears from my eyes: it was indeed too horrible a subject for a Ballo, which in my opinion ought to end happily. The scenery was the finest of the kind I think I ever witnessed. The first scene represents the Circus maximus; the interior of the temple of Vesta and the place of execution outside the walls of Rome were most classically correct and appropriate: the music was beyond all praise and singularly affecting. This Ballet has excited such an enthusiastic approbation that Vigano the Ballet master, Pallerini who acts the Vestal and the young man who performs the hero of the piece were summoned every evening after the termination of the Ballet, to appear on the stage, and receive applauses, which seemed to increase at every representation. I have been to see this ballet six or seven times, and always with increased delight. I was there on the last night of its representation, when some amateurs and people connected with the theatre put in practice what appeared to mean ill-judged concetto, however well merited the compliment it meant to convey. When the Vestal was about to descend into the vault, a genius with wings rose from it and repeated a few lines beginning Tu non morrai and telling her that the suffrages of the Insubrian people had decreed to her immortality, and printed sonnets were showered down on the stage from all parts of the house. I think it would have been much better to let the piece finish in the usual way, and then at its termination call for La Pallerini to advance and receive the garlands and hommage so justly her due.

I was in the loge belonging to my friend Mme L - - -; there were three or four litterati with her, and they were all unanimous that it was an absurd and pedantic concetto.

In a day or two I shall start from Milan for Munich thro' Brescia and Verona and the Tyrol.

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