After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  But it yet remains
for me to speak of the most interesting exhibition that modern Rome can
boast, and of - Page 166
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 166 of 291 - First - Home

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But It Yet Remains For Me To Speak Of The Most Interesting Exhibition That Modern Rome Can Boast, And Of

The most interesting person in it and in all Italy, and that is the atelier of Canova and Canova himself,

The greatest sculptor, perhaps, either of ancient or modern times, except the mighty unknown who conceived and executed the Apollo of the Vatican.

In the atelier of Canova the most remarkable statues I observed are: a group of Hector and Ajax of colossal size, not quite finished; a Centaur, also colossal; a Hebe; two Ballerine or dancing girls, one of which rivetted my attention most particularly. She is reclining against a tree with her cheek appuyed on one hand; one of her feet is uplifted and laid along the other leg as if she were reposing from a dance. The extreme beauty of the leg and foot, the pulpiness of the arms, the expressive sweetness of the face, and the resemblance of the marble to wax in point of mellowness, gives to this beautiful statue the appearance of a living female brunette. It was a long time before I could withdraw my eyes from that lovely statue.

The next object that engaged my attention was a group representing a Nymph reclining on a couch semi-supine, and a Cupid at her feet. The luxurious contour of the form of this Nymph is beyond expression and reminded me of the description of Olympia:

Le parti che solea coprir la stola Fur di tanta eccellenza, ch'anteporse A quante n'avea il mondo potean forse.[91]

Parts which are wont to be concealed by gown Are such, as haply should be placed before Whate'er this ample world contains in store.

- Trans. W.S. ROSE

This group is destined for the Prince Regent of England. Another beautiful group represents the three Graces; this is intended for the Duke of Bedford. Were it given to me to chuse for myself among all the statues in the atelier of Canova, I should chuse these three, viz., the Ballerina, the Nymph reclining, and this group of the Graces.

Canova certainly is inimitable in depicting feminine beauty, grace and delicacy. Among the other statues in this atelier the most prominent are: a statue of the Princess Leopoldina Esterhazy in the attitude of drawing on a tablet with this inscription:

Anch'io voglio tentar l'arte del bello.

This lady is, it seems, a great proficient in painting.

Here too are the moulds of the different statues made by Canova, the statues themselves having been finished long ago and disposed of; viz., of the Empress Maria Louisa of France; of the mother of Napoleon (Madame Mere as she is always called) in the costume and attitude of Agrippina; of a colossal statue of Napoleon (the statue itself is, I believe, in the possession of Wellington.[92]) Here too is the bust of Canova by Canova himself, besides a great variety of bas-reliefs and busts of individuals, models of monuments, etc.

And now, my friend, I have given you a precis not of all that I have seen, but of what has most interested me and made on my mind impressions that can never be effaced.

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