After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  A distribution of prizes had
lately been made by the Empress Maria Louisa, and there were many
paintings, models of - Page 128
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 128 of 291 - First - Home

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A Distribution Of Prizes Had Lately Been Made By The Empress Maria Louisa, And There Were Many Paintings, Models Of Sculpture And Architectural Designs, That Did Infinite Credit To The Young Artists.

I remarked one painting in particular which is worthy of a Fuseli.

It represented the battle of the river God Scamander with Achilles. The subjects of most of the paintings I saw here were taken from the mythology or from ancient and modern history; and this is perhaps the reason that they pleased me more than those of the ancient masters. Why in the name of the [Greek: to kalon] did these painters confine themselves so much to Madonnas, Crucifixions, and Martyrdoms, when their own poets, Ariosto and Tasso, present so many subjects infinitely more pleasing? Then, again, in many of these crucifixions and martyrdoms, the gross anachronisms, such as introducing monks and soldiers with match-locks and women in Gothic costume at the crucifixion, totally destroy the seriousness and interest of the subject by annihilating all illusion and exciting risibility.

Parma will ever be renowned in history as the birthplace of Caius Cassius, the Mend and colleague of Brutus.

The Empress Maria Louisa lives here in the Ducal Palace, which is a spacious but ornamental edifice. She lives, 'tis said, without any ostentation. Out of her own states, her presence in Italy would be attended with unpleasant consequences to the powers that be, on account of the attachment borne to Napoleon by all classes of society; and it is on this account that on her last visit to Bologna she received an intimation from the papal authorities to quit the Roman territory in twenty-four hours. We next passed thro' St Hilario and Reggio and brought to the evening at the village of Rubbiera. At St Hilario is the entrance into the Duke of Modena's territory, and here we underwent again &n examination of trunks, as we did both on entering and leaving the territory of Maria Louisa.

Reggio is a large walled city, but I had only time to visit the Cathedral and to remark therein a fine picture of the Virgin and the Chapel called "Capella della Morte." Reggio pretends to the honour of having given birth to the Divine Ariosto:

Quel grande che canto l'armi e gli amorl,

as Guarini describes him, I believe. The face of the country from Parma to Reggio is exactly the same as what we have passed thro' already.

The next day (20 August) we passed thro' Modena, where we stopped to breakfast and refresh horses. It is a large and handsome city, the Ducal Palace is striking and in the Cathedral is presented the famous bucket which gave rise to the poem of Tassoni called La Secchia rapita. An air of opulence and grandeur seems to prevail in Modena.

At Samoggia we entered the Papal territory and again underwent a search of trunks. Within three miles of Bologna a number of villas and several tanneries, which send forth a most intolerable odour, announce the approach to that celebrated and venerable city.

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