The First Piece I Saw Performed Was Manlius;[44] But I Was Too Far Off
From The Stage To Judge Of The Acting, And Could Do Little More Than Catch
The Sounds.
The parterre and the whole house was full.
I was in the fourth
tier of boxes, yet I could distinguish at intervals the finest and most
prominent traits, of Talma's acting, particularly in that scene where he
upbraids his friend with having betrayed him. This he gave with uncommon
energy and effect. The plot of this piece is very similar to that of
Venice preserved.[45]
The next piece I saw represented was the Avare of Moliere, which to me
was one of the greatest dramatic treats I had ever witnessed. Every part
was well supported. The next was Athalie of Racine. Here too I was highly
gratified. Mlle Georges performed the part of Athalie and gave me the
perfect ideal of the haughty Queen. Her narration of the dream was given
with the happiest effect, and in her attempt to conceal her uneasiness and
her affected contempt of the dream in these lines:
Un songe, me devrois - je inquieter d'un songe?
she seemed in reality to labour under all the anxiety and fatigue arising
from it. That fine scene between Joad and Joas was well given, and the
little girl who did the part of Joas performed with a good deal of spirit.
The actor who played Joad recited in a most impressive manner the advice to
the young prince terminating in these lines:
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