Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 9 of 125 - First - Home

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Please Address To Me To The Care Of Mr. Tobias Haslinger Till The 25th Of April, And After That To Mr. Ricordi, Milan, Who Has Undertaken To Forward Me All My Letters While I Am In Italy.

My compliments and affectionate thanks.

F. Liszt

13. To Robert Schumann

[Addressed to the celebrated German Tone-poet (1810-1856). Liszt had spoken of Schumann's Op. 5, 11, and 14 in the Gazette Musicale, 1837, with equal enthusiasm and understanding, which soon brought the two together.]

[Without a date; received by R. S. May 5th, 1838.]

My dear Monsieur Schumann,

I shall not attempt to tell you how grateful and touched I am by your friendly letter. Mademoiselle Wieck, whom I have been so happy as to meet here, will express to you, better than I can, all the sympathy, all the admiring affection I have for you. I have been such a nomad latterly that the pieces you were kind enough to address to me at Milan only reached me on the eve of my departure from Venice about a fortnight ago; and since then we have been talking so much of you, day and night, that it hardly occurred to me to write to you. Today, however, to my great astonishment, I get a fresh token of your friendly remembrance, and I certainly will not delay thanking you many times for it, so I have just left a charming party of very pretty women in order to write these few lines to you. But the truth is you need hardly thank me for this little sacrifice, for it is a great pleasure to me to be able to have a little chat with you.

The "Carneval" and the "Fantasiestucke" have interested me excessively. I play them really with delight, and God knows that I can't say as much of many things. To speak frankly and freely, it is absolutely only Chopin's compositions and yours that have a powerful interest for me.

The rest do not deserve the honor of being mentioned...at least, with a few exceptions, - to be conciliatory, like Eusebius.

In six weeks to two months I shall send you my twelve Studies and a half-dozen of "Fantasiestucke" ("Impressions et Poemes") - I consider them less bad than others of my making. I shall be happy to think that they do not displease you.

May I confess to you that I was not very much struck with Henselt's Studies, and that I found them not up to their reputation? I don't know whether you share my opinion, but they appear to me, on the whole, very careless. They are pretty to listen to, they are very pretty to look at, the effect is excellent, the edition (thanks to our friend Hofmeister) is most carefully done; but, all counted, I question whether H. is anything but a distinguished mediocrity. [How highly Liszt thought, later on, of Henselt's Concerto and other of his compositions is well known, and is spoken of in a subsequent letter to Baroness Wrangel, in May, 1883.] For the rest, he is very young, and will doubtless develop. Let us, at least, hope so.

I am extremely sorry that I cannot come and pay you a little visit at Leipzig at present. It is one of my keenest desires to make your personal acquaintance and to pass some days with you. But as that is not possible now, let us, at least, try not to be entirely separated, and let us combat, as far as we can, the laziness about writing, which is, I think, equally in us both.

In a fortnight I am returning to Venice. I shall be back in Milan at the time of the coronation (towards the end of August). Next winter I expect to pass in Rome, if the cholera or some other plague does not stop it. I will not induce you to come to Italy. Your sympathies would be too deeply wounded there. If they have even heard that Beethoven and Weber ever existed, it is as much as they have done.

Will you not have what you have sent me printed? Haslinger would have it gladly, I think, and it would be a great pleasure to me to see my name associated with yours.

If I might make a request, I would ask you to write some trios, or a quintet or septet. It seems to me that you would do that admirably, and for a long time nothing remarkable in that line has been published. If ever you determine to do so, let me know at once, as I should be anxious to have the honor of making them known to the public. Adieu, my dear Monsieur Schumann; keep me always in affectionate remembrance, and accept once more my warm sympathy and devotion.

F. Liszt

14. To the "Gesellschaft der Musikfreunde" in Vienna

[Society of Musical Dilettanti, or Amateur Musical Society. Autograph in the Archives of the Society in Vienna]

Gentlemen,

I am extremely grateful for the honor you have done me in admitting me among you as a member of the Vienna Musik-Verein [Musical Union]. I cannot, unfortunately, flatter myself that I have as yet deserved this distinction, but allow me to say that it will not be my fault if I do not become worthy of it.

If ever the occasion should offer in which I can be agreeable or useful to the Society of the Musik-Verein, be assured that I shall gladly avail myself of it, and that you will henceforth have a claim on my gratitude and devotion.

I have the honor to be, gentlemen,

Yours faithfully,

F. Liszt

Venice, June 1st, 1838

15. To Simon Lowy in Vienna

[Autograph in the possession of Herr O. A. Schulz, bookseller in Leipzig. - Addressed to a Vienna banker, an intimate friend of Liszt The "Soirees de Vienne," composed on Schubert Valses, are dedicated to him.]

I am very sensible, my dear sir, of your friendly remembrance. Your kind letter found me in the midst of the official hurly- burly of the coronation fetes.

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