Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 75 of 125 - First - Home

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For The Rest I Want To Keep Very Quiet And Private This Time In Pest.

Composers of my sort write, it is true, plenty of drum and trumpet parts, but by no means require the too common flourish of trumpets and drums, because they are striving after a higher aim, which is not to be attained by publicity.

"Auf baldiges Wiedersehen," ["To a speedy meeting"] dear friend - I leave here by the 9th August at latest. Meanwhile best thanks for your letter, - and

Ever yours,

F. Liszt

July 28th, 1856.

158. To Joachim Raff

[Raff (1822-82) lived, as is well known, for some years in Weimar (first of all as Liszt's secretary), and at that time joined the Liszt tendencies as a composer, afterwards going other ways.]

Dear Sir and Friend,

It is very pleasant to me to find from your letter that you have taken aright the recognition in my article on the "Sleeping Beauty," and see unequivocally in its attitude a fresh proof of the high estimation in which I hold your artistic powers, as well as of my readiness to be of use to you as far as my insight and loyalty in Art matters will permit me. In this first discussion of a work so much thought of and so widespread, it was most important that I should draw the attention of Art-fellowship to your entire works and higher endeavors during the past six years. You will still give me the opportunity, I hope, later on, of spreading much deserved praise and of placing more in the shade any chance differences in our views. If I have not placed you this time so completely as I should have wished among the musical fellowship of the time, like a Peter Schlemihl,[The man without a shadow - German fable.] this was partly in consequence of your own oft-repeated advice that "one should not exclusively praise men and works if one wishes to be useful to them."[Neue Zeitschrift fur Musik. Later "Gesammelte Schriften," vol. v.]

I do not always agree with you in this view, but on this occasion I hope I have hit the happy medium.

Accept my best thanks for the friendly interest you have shown in my orchestral compositions in the concert direction of Wiesbaden. Whether I shall be able to comply with several invitations for concerts in the coming winter depends on a good many circumstances which I cannot quite settle beforehand. But in any case I shall be glad if my compositions become more widely spread, and perhaps during your present stay in Wiesbaden the opportunity may offer of conducting one or two numbers of the Symphonic Poems, in accordance with your previous intentions.

At the end of next week at latest I set out for Gran, to conduct my Mass on the 31st of August (in celebration of the consecration of the Basilica). Toward the middle of September I go to Zurich, where, if I am not prevented by any special hindrances, for which I always have to be prepared, I think of spending a couple of weeks with Wagner.

Fare you well, dear Raff, and send soon some tidings of yourself to

Yours most truly,

F. Liszt

Weymar, July 31st, 1856.

Hans von Bulow has been with me a couple of days, and goes to Baden-Baden the day after tomorrow. Winterberger is scoring an extraordinary triumph by his organ-playing in Holland, and played the Prophete and BACH Fugue [Fugue on the name of Bach] before an audience of two thousand people with immense success.

Do not forget to give my friendly greetings to Genast [the celebrated Weimar actor, afterwards Raff's father-in-law] and my homage to Mademoiselle Doris [Afterwards Raff's wife, an excellent actress].

159. To Anton Rubinstein

It is a very great regret to me, my dear Rubinstein, to have to miss your visit the day after tomorrow, of which you sent me word by Mr. Hallberger. You know what a sincere pleasure it always is to me to see you again, and what a lively interest I take in your new works. This time in particular I am at high tension about the completion of your Paradise Lost. If the continuation and the end correspond with the beginning which you showed me, you have reason to be really and truly satisfied with yourself, and you may sleep in peace conscious of having written a grand and beautiful work.

Unfortunately, whatever curiosity I have to be quite assured of this, I cannot stay here any longer, and must start tomorrow morning for Gran, where, in spite of a lot of useless talk, the thread of which you have perhaps followed in the papers, they will end after all by giving my Mass on the 31st of August (the day of the consecration of the Basilica). You see that I have only just time to set the thing on foot, and cannot, without the risk of unpleasantness, defer my arrival beyond the day which, moreover, I officially fixed about a week ago.

Please excuse me then, my dear Rubinstein, for my involuntary fugue, and allow me to make up for it without too much delay. On my return from Hungary I shall come through Stuttgart (towards the middle of September). Perhaps I shall find you still there, which would be a very great pleasure. We would sing together the choruses, solos, and orchestra of your new score with all our might! And Winterberger (who has just had a fabulous success at Rotterdam, Haarlem, etc., where he has given several organ concerts largely attended) might also be one of the party, for I expect to make the journey from Zurich with him, and on our way we shall explore the organs of Ulm, Stuttgart, Friburg, and Winterthur.

Will you let me know by a few lines what your plans are for the end of the summer and autumn? Shall you return to Leipzig? Will it suit you to try your Oratorio first at Weymar?

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