Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 301 of 472 - First - Home

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Frau Land-Goldschmidt Stands As Incomparable In Her Glittering Renown As A Singer As Handel In His As A Composer,

With the difference - which is in Frau Lind's favor to boot - that Handel's works weary many people and do not

Always succeed in filling the coffers, whereas the mere appearance of Frau Lind secures the utmost rapture of the public, as well as that of the cashier. If, therefore, we place the affairs of the Musical Festival simply on the satisfying and commercial debit and credit basis, certainly no artist, and still less any work of Art, could venture to compete with, and to offer an equal attraction to, the high and highly celebrated name of Frau Lind. Without raising the slightest objection to this, I must express my common-sense opinion that with this magnet all others would be quite superfluous, which, however, cannot be quite so indifferent to me; for, as Louis XIV. represented the State, so Frau Lind would constitute the Musical Festival proper. This avowal (for which I deserve, at the very least, stoning with the usual ingredients of operations of that kind in our civilized age, if I did not happen to implore grace of the divine Diva herself) - this avowal I already made last year, on occasion of the Dusseldorf Musical Festival, to my esteemed friend of many years, Ferdinand Hiller. What is the use of orchestra and singers, rehearsals and preparations, pieces and programmes, when the public only want to hear the Lind, and then hear her again - or, more correctly speaking, when they must be able to say they leave heard her, in order to be able to wallow at ease in their enthusiasm for Art? What I foresaw then was also confirmed to a hair, for it proved, as everybody knows, that all the sympathy of the public went in favor of whatever Frau Lind did, so that the so-called Artist- concert on the third day was the most fully attended, because in it there were an aria from "Beatrice di Tenda" and Swedish songs as special attraction - for which marvels the very simplest pianoforte accompaniment was no doubt sufficient.

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