In This First Discussion
Of A Work So Much Thought Of And So Widespread, It Was Most
Important That I
Should draw the attention of Art-fellowship to
your entire works and higher endeavors during the past six years.
You
Will still give me the opportunity, I hope, later on, of
spreading much deserved praise and of placing more in the shade
any chance differences in our views. If I have not placed you
this time so completely as I should have wished among the musical
fellowship of the time, like a Peter Schlemihl,[The man without a
shadow - German fable.] this was partly in consequence of your own
oft-repeated advice that "one should not exclusively praise men
and works if one wishes to be useful to them."[Neue Zeitschrift
fur Musik. Later "Gesammelte Schriften," vol. v.]
I do not always agree with you in this view, but on this occasion
I hope I have hit the happy medium.
Accept my best thanks for the friendly interest you have shown in
my orchestral compositions in the concert direction of Wiesbaden.
Whether I shall be able to comply with several invitations for
concerts in the coming winter depends on a good many
circumstances which I cannot quite settle beforehand. But in any
case I shall be glad if my compositions become more widely
spread, and perhaps during your present stay in Wiesbaden the
opportunity may offer of conducting one or two numbers of the
Symphonic Poems, in accordance with your previous intentions.
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