In spite of all my desire to return to Vienna, where people
have been so kind and indulgent to me, I do not yet see when I
shall be able to get there. However this journey may be put off,
I hope, nevertheless, my dear sir, that you will continue till
then the affectionate feelings you so kindly entertain towards
me. Receive in return my assurances of consideration and
affectionate devotion.
F. Liszt
Milan, September 22nd, 1838
Will you be so good as to give the enclosed note to the charming
woman who is good enough to remember me so kindly?
16. To M. Pacini, Music Publisher in Paris
[Autograph in the possession of M. Alfred Bovet at Valentigney.]
My Dear Monsieur Pacini,
In two or three days at latest from now you will receive the
manuscript for which you asked me for the book of the Hundred and
One. [A collective work with contributions by celebrities of the
day.] Mr. Hugot has kindly undertaken to bring it to you.
As the title implies, it is an Etude (di Bravura) after Paganini.
[Bravura Studies on Paganini's Capricci, arranged for the
pianoforte, brought out by Haslinger, Vienna, in 1839. A second,
newly arranged edition, dedicated to Clara Schumann, "Grandes
Etudes de Paganini," was brought out by Breitkopf and Hartel in
1851.] You will oblige me by recommending the engraver to engrave
it very spaciously. In addition, you had better, I think, reprint
directly afterwards this Etude facilitee, which I have also sent
you. This second arrangement is by M. Schumann, a young composer
of very great merit. It is more within the reach of the general
public, and also more exact than my paraphrase.
Many apologies for having kept you waiting so long for such a
small thing, and kind remembrances to Emilien.
Yours affectionately,
F. Liszt
Please send the corrected proofs of this study to Haslinger,
musical editor to the Court, at Graben, Vienna.
I must have at least two corrected proofs. Prego! Prego!! [I
beg!] leave only such mistakes as are absolutely necessary in
order that an edition may be supposed to be correct.
Padua, September 30th, 1838
17. To Breitkopf and Hartel.
[This is the first of the Liszt letters extant in the archives of
the firm.]
I am really grieved, gentlemen, at the trouble you have been good
enough to take about these unlucky Symphonies, and I hardly know
how to express my acknowledgments. As I have already had the
honor of telling you, Mr. Mori had been previously engaged to
publish these Symphonies, and, as the steps you have taken have
not been crowned with success, I will keep to this first
publisher, with whom I have every reason to be satisfied up to
now.