Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 168 of 244 - First - Home

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That In Composing Them I Do Not Quite Work At Haphazard And Grope About In The Dark, As My Opponents

In so many quarters reproach me with doing, will be gradually acknowledged by those among them who may be honest

Enough not to wish entirely to obstruct a right insight into the matter through preconceived views. As I have for years been conscious of the artistic task that lies before me, neither consistent perseverance nor quiet reflection shall be wanting for the fulfillment of it. May God's blessing, without which nothing can prosper and bear fruit, rest on my work! -

I have read with attention and interest the discussions in the Vienna papers, to which the performance of the Preludes and the concert gave rise. As I had previously said to you, the doctrinaire Hanslick could not be favorable to me; his article is perfidious, but on the whole seemly. Moreover it would be an easy matter for me to reduce his arguments to nil, and I think he is sharp enough to know that. On a better opportunity this could also be shown to him, without having the appearance of correcting him. I suppose the initials C. D. in the Vienna paper mean Dorffl - or Drechsler? No matter by whom the critique is written, the author convicts himself in it of such intense narrowness that he will be very welcome to many other people less narrow than himself. His like has already often existed, but is constantly in demand. The musician nowadays cannot get out of the way of all the buzzing. Twenty years ago there were hardly a couple of musical papers in Europe, and the political papers referred only in the most rare cases, and then only very briefly, to musical matters. Now all this is quite different, and with my "Preludes," for instance (which, by the way, are only the prelude to my path of composition), many dozen critics by profession have already pounced on them, in order to ruin me through and through as a composer. I by no means say that present conditions, taken as a whole, are more unfavorable to the musician than the earlier conditions, for all this talk in a hundred papers brings also much good with it, which would not otherwise be so easy to attain; - but simply the thinking and creative artist must not allow himself to be misled by it, and must go his own gait quietly and undisturbed, as they say the hippopotamus does, in spite of all the arrows which rebound from his thick skin. An original thinker says, "As one emblem and coat of arms I show a tree violently blown by the storm, which nevertheless shows its red fruit on all the boughs, with the motto, Dum convellor mitescunt; or also, Conquassatus sed ferax."

When you have an opportunity I beg you to give my best thanks to my old friend Lowy for the letter he wrote me directly after the performance of the "Preludes." I know that he means well towards me, in his own way, which, unfortunately, cannot be mine, because, to me, friendship without heart and flame is something foreign; and I cannot understand, for instance, why at the concert in question he did not take his customary place, but kept back in a corner, as he tells me.

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