Weymar, February 21st, 1855.
133. To Louis Kohler
My very dear Friend,
Hans von Bulow will bring you these lines. You must enjoy
yourself in the artist who, above all other active or dying out
virtuosi; is the dearest to me, and who has, so to speak, grown
out of my musical heart. - When Hummel heard me in Paris more than
twenty-five years ago, he said, "Der Bursch ist ein
Eisenfresser." [The fellow is a bravo."] To this title, which was
very flattering to me, Hans von Bulow can with perfect justice
lay claim, and I confess that such an extraordinarily gifted,
thorough-bred musical organism as his has never come before me.
Receive him as an approved and energetic friend, and do all you
can to make his stay in Konigsberg a pleasant one.
Yours in friendship,
F. Liszt
Weymar, March 16th, 1855
The engraving of my Symphonic Poems is in progress, and in the
course of this summer five or six of them will be ready. There is
a good bit of work in it.
At the present time I am exclusively engaged in the composition
of a "Missa Solemnis." You know that I received, from the
Cardinal Primate of Hungary, the commission to write the work for
the consecration of the cathedral at Gran, and to conduct it
there (probably on the 15th of August).
134. To Dr. Franz Brendel
Sunday, March 18th, 1855
A few words in haste, dear friend, for I am over head and ears in
work. First and foremost, my best thanks for your communications,
with the request to continue them, even if I cannot always answer
the different points thoroughly.
I send you herewith the title of "The Captive" [Song, by Berlioz,
for alto voice with orchestra or piano.] - the words must be
written under the notes both in French and German. There can be
no copyright claimed for this Opus in Germany, as it appeared
years ago in Paris. It is to be hoped, however, that Kahnt will
not lose by it, as he has only to bear the cost of printing - and
in any case it is a suitable work for his shop.. - .
To be brief - Panofka's [A well-known teacher of singing and
writer on music (1807-88); collaborator of the Neue Zeitschrift.]
letter, in your last number, must be regarded as a mystification.
In the first few lines a glaring falsehood, founded on facts, is
conspicuous, for the Societe de Ste. Cecile has been in existence
for years, and was formerly [1848-54] conducted by Seghers [Pupil
of Baillot (1801-81)] - not to mention that Berlioz conducted the
Societe Philharmonique, where "many Symphonies were performed,"
for at least a season (of something like four years) - and then as
regards Scudo, [Musical critic and journalist in Paris (1806-64)]
it must appear incredible to see a man like that mentioned with
approval in your paper.
