Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 101 of 125 - First - Home

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In His Refined Poetic And Musical Feeling Many Kindred Tones Will Sound For You. Tell Him All About Weymar And Play Him Something From The "Barbier".

[Cornelius' Opera] Although he lives somewhat a part, he can prove himself agreeable to you in many things, - firstly, by his own personal intercourse - and then also by his relations with Baron Stockhausen (the Hanoverian Ambassador), at whose house there is frequently really good music, etc.

- Don't delay, therefore, looking up Villers.

For today I must beg you also to get the Prologue for the Leipzig days [The Leipzig Tonkunstler-Versammlung (Meeting of Musicians), from which the Allgemeine Deutsche Musikverein (Universal German Musical Society) sprang] ready as quickly as possible. I shall settle down at the end of this week (Saturday) in Leipzig - Hotel de Pologne. It would be very good of you if you could send me the Prologue to Leipzig within eight days. Address to Brendel, Mittelstrasse, 24. I still do not possess a single copy of my Mass, because I sent on the two or three that had been previously sent to me at once to M[usic]-D[irector] Riedel for studying the work. But my cousin, Dr. Eduard Liszt, will certainly be delighted to give you your copy at once. You have only to tell Daniel to bring it to you, if you have not time to call on Eduard.

Frau von Milde, Bulow, Bronsart, Draseke, Lassen, etc., etc., etc., are coming to Leipzig from Monday, 30th May, until Sunday, 4th June. You must not fail us, dearest friend, and we await you with open arms and loving hearts. Your

F. Liszt

The Princess stays a little longer in Munich, and will not get to Leipzig till towards the end of this month. Remember me most respectfully and warmly to Hebbel.

Best greetings to Catinelli.

Once more, please send the "Prologue".

214. To Dr. Franz Brendel

[Autograph in the possession of Herr A.O. Schulz, bookseller in Leipzig.]

Herewith is an answer to the nine points of your letter of today, my dear friend [Referring to the Tonkunstler-Versammlung in Leipzig, in June, 1859].

1. The Mildes have got leave of absence from Monday, 30th April, till Friday, 3rd June, inclusive. Your programme remains as already fixed. Duet from the "Flying Dutchman", "Cellini Aria", Songs by Franz and Schumann (etc. ad libitum).

2. I will bring all the orchestral parts that there are with me, or, better still, I will send you the whole lot tomorrow. For "Tasso" the whole set is complete - but for the "Duet" from the "Dutchman", and the "Cellini Aria" and "Overture" a couple of copies of the quartet will have to be written out afresh in Leipzig.

3. I do not possess the "Overture to the Corsair" [By Berlioz] (and would not recommend it for performance), and the "Prelude to Tristan" Bülow will see after.

4. I expect more particulars from Bülow in the course of the week.

5. I am writing today to Cornelius about the Prologue affair.

6. Herewith is the German text of the Mass,[Lizst's "Gran Festival Mass."] which is to be printed in Leipzig in the same manner as in Vienna - namely, with the addition of the Latin text- -and which belongs to the General Programme of the Festival. This programme we will settle and revise together next Sunday.

7. Leave of absence for Frau Pohl will be attended to.

8. I reserve to myself the matter of deciding on what pianists shall accompany the Ballads, and undertake the piano part of the "Trios" that are to be given. If possible I want Bronsart to take a part in it.

9. I will send off the definite invitations to the nobility next Sunday (at latest) from Leipzig to Gotha and Meiningen. I am coming to you on Saturday afternoon, 21st May [Must be 28th May, as the letter is dated the 23rd], and shall then stay in Leipzig till the end of the Festival. For the present a suitable room (without sitting-room) will satisfy me, and I beg you to bespeak this for me in the Hotel de Pologne for Saturday. My ministering spirit should have his room close to mine, because looking for him and calling is highly disagreeable to me.

Goodbye till Saturday. Your

F. Liszt

Monday, May 23rd, 1859

P.S. - The performance of "Judas Maccabaeus" (for the Handel Festival) is announced here for next Wednesday, 25th May. Tomorrow, Tuesday, there will be a similar Handel celebration in Erfurt with a performance of the "Messiah." Frau von Milde will sing the soprano part there. Let Pohl know this - perhaps he may like to hear "Judas."

The rehearsals of Rietz's little Opera are in progress, and Pasque (who has written the libretto for it) told me yesterday that the first performance will take place next week. Probably Rietz will undertake to conduct it, as I proposed.

215. To Felix Draseke

Where, my dear, excellent friend, have you got hold of the extraordinary idea that I could be angry with you? How to begin such a thing I really should not know. You are far too good and dear to me for me not to remain good to you also in all things! - Herewith are a few lines for Wagner, which however you don't in the least need. I am glad that you are not putting off this journey any longer. But before you set out WRITE to Wagner (you can add my lines to your letter extra), and inquire whether he will be staying at Lucerne still, so that your Swiss pilgrimage may not be in vain. - You will be certain to get an answer from Wagner by return of post, and will thus be sure of your object.

Schuberth tells me that "King Helge" will ride into his shop almost immediately...to Sigrun, the ever blooming delicious sorrow! - How scornfully, "without greeting or thanks," will "King Helge" look down upon all the other wares in Schuberth's shop. Somewhat as the hippopotamus looks on toads and frogs.

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