Letters On Sweden, Norway, And Denmark By Mary Wollstonecraft








































































































 -   The good
pictures were mixed indiscriminately with the bad ones, in order to
assort the frames.  The same fault is - Page 163
Letters On Sweden, Norway, And Denmark By Mary Wollstonecraft - Page 163 of 189 - First - Home

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The Good Pictures Were Mixed Indiscriminately With The Bad Ones, In Order To Assort The Frames.

The same fault is conspicuous in the new splendid gallery forming at Paris; though it seems an obvious thought that a school for artists ought to be arranged in such a manner, as to show the progressive discoveries and improvements in the art.

A collection of the dresses, arms, and implements of the Laplanders attracted my attention, displaying that first species of ingenuity which is rather a proof of patient perseverance, than comprehension of mind. The specimens of natural history, and curiosities of art, were likewise huddled together without that scientific order which alone renders them useful; but this may partly have been occasioned by the hasty manner in which they were removed from the palace when in flames.

There are some respectable men of science here, but few literary characters, and fewer artists. They want encouragement, and will continue, I fear, from the present appearance of things, to languish unnoticed a long time; for neither the vanity of wealth, nor the enterprising spirit of commerce, has yet thrown a glance that way.

Besides, the Prince Royal, determined to be economical, almost descends to parsimony; and perhaps depresses his subjects, by labouring not to oppress them; for his intentions always seem to be good - yet nothing can give a more forcible idea of the dulness which eats away all activity of mind, than the insipid routine of a court, without magnificence or elegance.

The Prince, from what I can now collect, has very moderate abilities; yet is so well disposed, that Count Bernstorff finds him as tractable as he could wish; for I consider the Count as the real sovereign, scarcely behind the curtain; the Prince having none of that obstinate self-sufficiency of youth, so often the forerunner of decision of character.

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