If He Had Been A Gladsome,
Unreflecting American Opera-Audience, He Probably Would
Have Had His Storm Repeated And Repeated Until He Drowned
All Those People.
CHAPTER XI
[I Paint a "Turner"]
The summer days passed pleasantly in Heidelberg.
We had a skilled trainer, and under his instructions we
were getting our legs in the right condition for the
contemplated pedestrian tours; we were well satisfied
with the progress which we had made in the German language,
[1. See Appendix D for information concerning this
fearful tongue.] and more than satisfied with what we had
accomplished in art. We had had the best instructors in
drawing and painting in Germany - Haemmerling, Vogel, Mueller,
Dietz, and Schumann. Haemmerling taught us landscape-painting.
Vogel taught us figure-drawing, Mueller taught us to do
still-life, and Dietz and Schumann gave us a finishing
course in two specialties - battle-pieces and shipwrecks.
Whatever I am in Art I owe to these men. I have something
of the manner of each and all of them; but they all said that I
had also a manner of my own, and that it was conspicuous.
They said there was a marked individuality about my
style - insomuch that if I ever painted the commonest
type of a dog, I should be sure to throw a something
into the aspect of that dog which would keep him from
being mistaken for the creation of any other artist.
Secretly I wanted to believe all these kind sayings,
but I could not; I was afraid that my masters'
partiality for me, and pride in me, biased their judgment.
So I resolved to make a test.
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