Of Course, Then, The Reader Is Left
In A Very Exhausted And Ignorant State.
We have the Parenthesis disease in our literature, too; and one
may see cases of it every day in
Our books and newspapers:
but with us it is the mark and sign of an unpracticed
writer or a cloudy intellect, whereas with the Germans
it is doubtless the mark and sign of a practiced pen
and of the presence of that sort of luminous intellectual
fog which stands for clearness among these people.
For surely it is NOT clearness - it necessarily can't
be clearness. Even a jury would have penetration enough
to discover that. A writer's ideas must be a good
deal confused, a good deal out of line and sequence,
when he starts out to say that a man met a counselor's
wife in the street, and then right in the midst of this
so simple undertaking halts these approaching people
and makes them stand still until he jots down an inventory
of the woman's dress. That is manifestly absurd.
It reminds a person of those dentists who secure your instant
and breathless interest in a tooth by taking a grip on it
with the forceps, and then stand there and drawl through
a tedious anecdote before they give the dreaded jerk.
Parentheses in literature and dentistry are in bad taste.
The Germans have another kind of parenthesis, which they
make by splitting a verb in two and putting half of it
at the beginning of an exciting chapter and the OTHER
HALF at the end of it.
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