I consider that the "Moses" has no equal among the works
of the Old Masters, except it be the divine Hair Trunk
of Bassano. I feel sure that if all the other Old Masters
were lost and only these two preserved, the world would
be the gainer by it.
My sole purpose in going to Florence was to see this
immortal "Moses," and by good fortune I was just in time,
for they were already preparing to remove it to a more
private and better-protected place because a fashion
of robbing the great galleries was prevailing in Europe
at the time.
I got a capable artist to copy the picture; Pannemaker,
the engraver of Dor'e's books, engraved it for me,
and I have the pleasure of laying it before the reader
in this volume.
We took a turn to Rome and some other Italian cities
- then to Munich, and thence to Paris - partly for exercise,
but mainly because these things were in our projected program,
and it was only right that we should be faithful to it.
