Sunny Memories Of Foreign Lands - Volume 2 - By Harriet Beecher Stowe




































































































 -  What is that for? I ask. The whirlwinds, says
my guide, with a significant turn of his hands. This is - Page 80
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"What Is That For?" I Ask.

"The whirlwinds," says my guide, with a significant turn of his hands.

"This is the school house," he adds, as we pass a building larger than the rest.

Now the path turns and slopes down a steep bank, covered with haycocks, to a little nook below, likewise covered with new hay. If my horse is going to throw me any where, I wish it may be here: it is not so bad a thing to roll down into that hay. But now we mount higher; the breezy dells, enamelled with flowers and grass, become fewer; the great black pines take their place. Right before us, in the purest white, as a bride adorned for her husband, rises the beautiful Jungfrau, wearing on her forehead the Silver Horn, and the Snow Horn. The Silver Horn is a peak, dazzlingly bright, of snow; and its crest is now seen in relief against a sky of the deepest blue. See, also, how those dark pines of the foreground contrast with it, like the stern, mournful realities of life seen against the dazzling hopes of heaven.

There is something celestial in these mountains. You might think such a vision as that to be a bright footstool of Heaven, from which the next step would be into an unknown world. The pines here begin to show that long white beard of moss which I admire so much in Maine. Now, we go right up over their heads. There, the tall pines are under our feet. A little more - and now above us rise the stern, naked rocks, where only the chamois and the wild goat live. But still, fair as the moon, clear as the sun, looks forth the Jungfrau.

We turn to look down. That Staubbach, which in the valley seemed to fall from an immense precipice, higher than we could gaze, is now a silver thread, far below our feet; and the valley of Lauterbrunn seems as nothing. Only bleak, purplish crags, rising all around us, and silent, silver mountains looking over them.

"That one directly before you is the Monk," says C., calling to me from behind, and pointing to a great snow peak.

Our guide, with animation, introduced us by name to every one of these snow-white genii - the Falhorn, the Schreckhorn, the Wetterhorn, the great Eiger, and I cannot remember what besides. The guides seem to consider them all as old friends.

Certainly nothing could be so singular, so peculiar as this ascension. We have now passed the limit of all but grass and Alpine flowers, which still, with their infinite variety, embroider the way; and now the _auberge_ is gained. Good night, now, and farewell.

That is to say, there we stopped - on the summit, in fair view of the Jungfrau, a wall of rock crowned with fields of eternal snow, whose dazzling brightness almost put my eyes out. My head ached, too, with the thin air of these mountains. I thought I should like to stay one night just to hear avalanches fall; but I cannot breathe well here, and there is a secret sense of horror about these sterile rocks and eternal snows. So, after dinner, I gladly consent to go down to Grindelwald.

Off we start - I walking - for, to tell the truth, I have no fondness for riding down a path as steep in some places as a wall; I leave that to C., who never fears any thing. So I walked all the way to Grindelwald, nine miles of a very rough road. There was a lady with her husband walking the same pass, who had come on foot the whole way from Lauterbrunn, and did not seem in the least fatigued. My guide exhausted all his eloquence to persuade me that it was better to ride; at last I settled him by saying, "Why, here is a lady who has walked the whole route." So he confined himself after that to helping me find flowers, and carrying the handkerchief in which I stowed them. Alas! what herbarium of hapless flowers, laid out stark, stiff, and motionless, like beauty on its bier, and with horrible long names written under them, can ever give an idea of the infinite variety and beauty of the floral crown of these mountains!

The herbarium resembles the bright, living reality no more than the _morgue_ at St. Bernard's is a specimen of mountain travellers. Yet one thing an herbarium is good for: in looking at it you can recall how they looked, and glowed, and waved in life, with all their silver-crowned mountains around them.

After we arrived at Grindelwald, tired as I was, I made sketches of nine varieties, which I intend to color as soon as we rest long enough. So much I did for love of the dear little souls.

One noticeable feature is the predominance of _yellow_ flowers. These, of various kinds, so abound as to make a distinct item of coloring in a distant view. One of the most common is this - of a vivid chrome yellow, sometimes brilliantly striped with orange.

[Illustration: _of a flowered bract._]

One thing more as to botanical names. What does possess botanists to afflict the most fragile and delicate of earth's children with such mountainous and unpronounceable names? Now there was a dear little flower that I first met at St. Bernard - a little purple bell, with a fringe; it is more particularly beautiful from its growing just on the verge of avalanches, coming up and blossoming through the snow. I send you one in this letter, which I dug out of a snow bank this morning. And this fair creation - this hope upon a death bed - this image of love unchilled and immortal - how I wanted to know it by name!

[Illustration: _of a tiny plant with a single flowering stem and two simple circular leaves._]

Today, at the summit house of the mountain, I opened an herbarium, and there were three inches of name as hopeless and unpronounceable as the German of our guides, piled up on my little flower.

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