It was the more touching from
occasional rusticities and artistic defects, which showed that she had
received no culture from art.
She sang the ballad, "Old folks at home," giving one verse in the
soprano, and another in the tenor voice.
As she stood partially concealed by the piano Chevalier Bunsen thought
that the tenor part was performed by one of the gentlemen. He was
perfectly astonished when he discovered that it was by her. This was
rapturously encored. Between the parts Sir George took her to the
piano, and tried her voice by skips, striking notes here and there at
random, without connection, from D in alt to A first space in bass
clef: she followed with unerring precision, striking the sound nearly
at the same instant his finger touched the key. This brought out a
burst of applause.
After the concert we walked through the rooms. The effect of the
groups of people sauntering through the hall or looking down from the
galleries was picture-like. Two of the duke's Highland pipers, in full
costume, playing their bagpipes, now made their appearance, and began
to promenade the halls, playing. Their dress reminds me, in its
effect, of that of our American Indians, and their playing is wild and
barbaric. It had a striking effect among these wide halls and
corridors. There is nothing poetic connected with the history and
position of the family of which the fair owner of the halls does not
feel the power, and which she cannot use with artistic skill in
heightening the enchantments of an entertainment.
Rev. S. R. Ward attracted attention in the company, as a full-blooded
African - tall enough for a palm tree. I observed him in conversation
with lords, dukes, and ambassadors, sustaining himself modestly, but
with self-possession. All who converse with him are satisfied that
there is no native difference between the African and other men.
The duchess took me to look at a model of Dunrobin - their castle on
the Sutherland estate. It is in the old French chateau style in
general architecture, something like the print of Glamis. It is
curious that the French architecture has obtained in Scotland. Her
grace kindly invited me to visit Dunrobin on my return to Scotland in
the autumn, taking it after Inverary. This will be delightful. That
Scottish coast I love almost like my own country.
Lord Shaftesbury was there. He came and spoke to us after the concert.
Speaking of Miss Greenfield, he said, "I consider the use of these
halls for the encouragement of an outcast race, a _consecration_.
This is the true use of wealth and splendor when it is employed to
raise up and encourage the despised and forgotten."
In the evening, though very weary, C. persuaded me to accept an
invitation to hear the Creation, at Exeter Hall, performed by the
London Sacred Harmonic Society.
